On October 2, 2020, the song "Iona" was released by DevilDriver. Iona is explicit and may not be suitable for children. With the duration being about 4:15, this song is close to the average duration of a typical track. The song is number 4 out of 10 in Dealing with Demons I by DevilDriver. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Iona is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Iona by DevilDriver is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forbidden Fire | Killer Be Killed | F Major | 6 | 7B | 117 BPM | ||
| No Light Shall Save Us | Carnifex, Alissa White-Gluz | F Major | 9 | 7B | 112 BPM | ||
| Flowers of Autumn | Sailor Hunter | D♭ Major | 10 | 3B | 150 BPM | ||
| The Age of Starlight Ends | Anaal Nathrakh | B♭ Minor | 4 | 3A | 100 BPM | ||
| Kerosene | Burn The Priest | D♭ Minor | 10 | 12A | 200 BPM | ||
| Curse of Osiris | Testament | D♭ Minor | 10 | 12A | 98 BPM | ||
| From a Crowded Wound | Killer Be Killed | G Major | 10 | 9B | 120 BPM | ||
| Hollow Convictions | Killswitch Engage | G Major | 10 | 9B | 132 BPM | ||
| Terror Tactics | Cavalera Conspiracy | D Minor | 9 | 7A | 137 BPM | ||
| Arrival | Soilwork | E Minor | 10 | 9A | 120 BPM | ||
| Straight Hate | bloodsimple | B♭ Minor | 10 | 3A | 158 BPM | ||
| Mirrorslave | Orbit Culture | B Minor | 10 | 10A | 170 BPM | ||
| The Hate Is Real | Body Count | B♭ Minor | 10 | 3A | 105 BPM | ||
| Ishtar's Gate | Testament | D♭ Minor | 10 | 12A | 160 BPM | ||
| To the Fallen Hero | God Forbid | C Minor | 10 | 5A | 138 BPM | ||
| Cloud Factory | Jinjer | G Major | 10 | 9B | 125 BPM | ||
| Open Eye | Orbit Culture | B♭ Minor | 10 | 3A | 195 BPM | ||
| The Legacy Of Ares | Dagoba | F♯ Major | 10 | 2B | 95 BPM | ||
| Amoral | Napalm Death | G Major | 10 | 9B | 140 BPM | ||
| Into The Pit | Kill The Lights | A♭ Major | 10 | 4B | 107 BPM | ||
| King of Diamonds | Upon A Burning Body | E Major | 10 | 12B | 148 BPM | ||
| Medusa | Times Of Grace | D Major | 9 | 10B | 120 BPM | ||
| I Hope That You Leave Enough Room for My Fist | Austrian Death Machine | F Major | 10 | 7B | 110 BPM | ||
| Bear Witness Unto | DevilDriver | F♯ Major | 10 | 2B | 105 BPM | ||
| Dehumanized | Sodom | F♯ Minor | 10 | 11A | 200 BPM |