Natikaji's 'Nepali Hami' had a release date set for July 14, 1999. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Phoolko Thunga". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Norway. Based on our statistics, Nepali Hami's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nepali Hami by Natikaji having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deuralima Bataas Chalyo | Prem Dhoj Pradhan | G Major | 7 | 9B | 93 BPM | ||
| Eto Baro Akashtake | Arundhati Holme Chowdhury, Sudhin Dasgupta | E Major | 2 | 12B | 93 BPM | ||
| Nai Nabhannu La Male(From "Nai Nabhannu la 4") | Rajesh Payal Rai | D♭ Major | 7 | 3B | 78 BPM | ||
| Bachan Tode | Ram Krishna Dhakal | F Major | 7 | 7B | 76 BPM | ||
| Bhaitika Ma | Raju Lama-mongolian Heart | G Minor | 6 | 6A | 136 BPM | ||
| Timi Bina Ko Jeevan | Narendra Pyasi | E Major | 6 | 12B | 102 BPM | ||
| Euta Sapana Chha - Legendary Version | Madan Krishna Shrestha | G Minor | 7 | 6A | 90 BPM | ||
| Pardeshi Manchhe | The Axe Band | A♭ Major | 7 | 4B | 82 BPM | ||
| Ye Kanchha Thaitai Ma | Narayan Gopal, Taradevi | B♭ Major | 4 | 6B | 79 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| He Chinmoyi | Tarun Banerjee | B Major | 5 | 1B | 77 BPM | ||
| Bihana Utthne Bittikai | Ram Krishna Dhakal | E Major | 6 | 12B | 125 BPM | ||
| Hridayer Gaan Shikhe To Gaay Go Sabai | Manna Dey | A♭ Minor | 2 | 1A | 72 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Sun Haraye | Jeevan Shrestha, Gulam Ali | C Major | 6 | 8B | 73 BPM | ||
| Hey Dola Hey Dola | Bhupen Hazarika | F Minor | 4 | 4A | 74 BPM | ||
| Timro Mero | Karna Das, Anju Panta | D Major | 6 | 10B | 134 BPM | ||
| Sapana Bhai Aankhama | Sadhana Sargam | E♭ Major | 5 | 5B | 122 BPM | ||
| Jaba Kohi | Madhyanha Band | D♭ Major | 8 | 3B | 128 BPM | ||
| Kalipare Dai Kati Ramro | Natikaji, Taradevi | A♭ Major | 3 | 4B | 143 BPM | ||
| Pratidhwani Suno | Bhupen Hazarika | E Major | 3 | 12B | 139 BPM | ||
| Him Shrinkhalama | Natikaji, Taradevi | C Major | 8 | 8B | 78 BPM | ||
| TIMRO SINDUR POTE | Phiroj Shyangden | F♯ Major | 7 | 2B | 126 BPM | ||
| Ukali Chadaula | Uday Sotang, Manila Sotang | E Major | 7 | 12B | 152 BPM | ||
| Tikuli Hai Mero - Maya Namara Movie Song | Deepa jha | D♭ Major | 7 | 3B | 175 BPM |