"Oblivion" by Kaitlyn Raitz had its release date on October 27, 2021. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kaitlyn Raitz's "Me, Myself, Myself, and I" album is number 7 out of 11. Based on our statistics, Oblivion's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oblivion by Kaitlyn Raitz to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emperor | kïngpinguïn, Avery Bright, Matthew S. Nelson | D Minor | 2 | 7A | 175 BPM | ||
| Anne-Élise | Guillaume Latil, Matheus Donato | C Major | 1 | 8B | 87 BPM | ||
| Berceuse Rework | Felix Rösch, mondëna quartet | C Minor | 2 | 5A | 78 BPM | ||
| A Bug Crawling (Nice Bug) | alas, i am myself | A Major | 2 | 11B | 100 BPM | ||
| Zumaya | Pantar Duo, Giulio Quaranta, Mateo Saralegui | F Major | 0 | 7B | 94 BPM | ||
| Parts and Labour | Kaitlyn Raitz, Ben Plotnick | A Major | 4 | 11B | 117 BPM | ||
| Onde Zwei | everwave, Chico Correa, Kaitlyn Raitz, Barrio Manouche | D♭ Minor | 7 | 12A | 175 BPM | ||
| Dreams | Takénobu | G Major | 1 | 9B | 92 BPM | ||
| A Través de Sus Ojos | Cedric Vermue | A Minor | 2 | 8A | 96 BPM | ||
| Roots Entwined | Eliza Marshall | F Major | 0 | 7B | 94 BPM | ||
| On a wistful tone | Yovanny Adant | C Minor | 2 | 5A | 87 BPM | ||
| Rideshare | Atlys | A Minor | 2 | 8A | 84 BPM | ||
| Coalesce | Kaitlyn Raitz, Jack Julian | E♭ Minor | 0 | 2A | 83 BPM | ||
| Aux confins | Gaspar Claus | D Minor | 2 | 7A | 130 BPM | ||
| Dark Passage | Shanir Blumenkranz, Johnny Gandelsman, Dana Lyn, Karen Ouzounian, James Shipp | D♭ Major | 0 | 3B | 137 BPM | ||
| Esperança | Carolina Alberti, Microcosmos | F Major | 0 | 7B | 94 BPM | ||
| The Last Farm 5 | Kjartan Sveinsson | D♭ Minor | 2 | 12A | 83 BPM | ||
| Warren Suite VI. Nine Roses | Angus MacRae | F Major | 0 | 7B | 94 BPM | ||
| Rise Up | Alasdair Fraser, Natalie Haas | F Major | 0 | 7B | 94 BPM | ||
| First Reach (Piano Warmup) | Stahv Danker | F Major | 0 | 7B | 94 BPM | ||
| Misconceptions on Forever - Instrumental | Emily Wells | F♯ Minor | 4 | 11A | 147 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Horn | Demian Dorelli | E♭ Major | 1 | 5B | 71 BPM | ||
| Little | kïngpinguïn, Avery Bright, Matthew S. Nelson | D♭ Minor | 2 | 12A | 83 BPM | ||
| Bon gré, mal gré | Wim Mertens | F♯ Major | 2 | 2B | 105 BPM |