On November 18, 1989, the song "Kag Karaudai Chha" was released by Ram Thapa, Meera Rana. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ram Thapa, Tara Thapa, Meera Rana's "Lok Suseli" album is number 3 out of 6. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Kag Karaudai Chha's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kag Karaudai Chha by Ram Thapa, Meera Rana to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chautariko Bisounima | Khem Raj Gurung | A Major | 5 | 11B | 73 BPM | ||
| Pagal Ma Banna Sakchhu Male | Swaroop Raj Acharya | D Major | 7 | 10B | 140 BPM | ||
| Bal Garera | Swaroop Raj Acharya | D Major | 8 | 10B | 155 BPM | ||
| Aba Chot Harule Piroldaina Malai | Yam Baral | C Major | 6 | 8B | 122 BPM | ||
| Maile Chhoye Ko Pani Chaldaina | Yash Kumar | B Minor | 7 | 10A | 101 BPM | ||
| Jeevan Ho Gham Chhaya-Yo Jindagani | Amrit Gurung-nepathya | C Major | 5 | 8B | 141 BPM | ||
| Parewako Jaat | Ram Thapa, Meera Rana | F Major | 5 | 7B | 113 BPM | ||
| Machi Marna Jau | Bidhan Shrestha | D Minor | 6 | 7A | 150 BPM | ||
| Khole Khaye Pani | Raju Lama | E Minor | 6 | 9A | 80 BPM | ||
| Dandapari | Kandara Band | D Minor | 9 | 7A | 142 BPM | ||
| TIMRO SINDUR POTE | Phiroj Shyangden | F♯ Major | 7 | 2B | 126 BPM | ||
| Kun Desh Ki Pari | Ram Thapa, Hikmat Mali | D Major | 6 | 10B | 116 BPM | ||
| Charile Ta Chhadera | Alok Shree, Ram Krishna Dhakal | D♭ Major | 7 | 3B | 150 BPM | ||
| Hasirahanu Sadhai | Anil Singh | C Major | 4 | 8B | 144 BPM | ||
| Raat Bityo | Nabin K Bhattarai | F Major | 7 | 7B | 116 BPM | ||
| Uhi Mulako Chana | Jyoti Magar, Ram Chandra Kafle | F Major | 8 | 7B | 93 BPM | ||
| Jala Udera Mero Jale Rumala | Hemant Sharma | F♯ Major | 8 | 2B | 134 BPM | ||
| Malai Yo Jindagile | Shambhujeet Baskota, Ram Krishna Dhakal | F Major | 5 | 7B | 152 BPM | ||
| Malai Pani Angrejima | Deepa jha, Rajesh Payal Rai | B♭ Major | 8 | 6B | 127 BPM | ||
| Yanimaya | Amrit Gurung-nepathya | F♯ Major | 6 | 2B | 99 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Tirkha Lage Nirmaya ( Hami Teen Bhai ) | Udit Narayan Jha | E Minor | 9 | 9A | 95 BPM | ||
| Yo Naniko Siraima | Bidhan Shrestha | B Major | 8 | 1B | 94 BPM | ||
| Chhati Ma Mero-Aahai Kalilo Tamalai | Tara Thapa, Chhetra Gurung | E♭ Major | 9 | 5B | 140 BPM | ||
| Timra Pauharuma | Natikaji, Taradevi | F Major | 7 | 7B | 130 BPM |