On 1938, the song "After You've Gone - Instrumental" was released by Benny Goodman. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. After You've Gone - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 16 Most Requested Songs, so we believe that "After You've Gone - Instrumental" is a single. In terms of popularity, After You've Gone - Instrumental is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of After You've Gone - Instrumental by Benny Goodman is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le jazz hot | Jimmie Lunceford & His Orchestra, Jimmie Lunceford | G Major | 6 | 9B | 147 BPM | ||
| Hindustan | Glen Gray, Casa Loma Orchestra | G Major | 2 | 9B | 68 BPM | ||
| Blue Turning Grey Over You | James P. Johnson | G Major | 2 | 9B | 68 BPM | ||
| Charleston Crazy | Marion Harris, Blossom Seeley | G Major | 2 | 9B | 68 BPM | ||
| Love Letters In The Sand | Ambrose & His Orchestra | C Major | 1 | 8B | 76 BPM | ||
| When It's Sleepy Time Down South - Take 2 | Benny Goodman | F Minor | 3 | 4A | 155 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM | ||
| Georgia Swing - Alternate Take | Jelly Roll Morton | G Major | 2 | 9B | 68 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM | ||
| Blue Lou | Charlie Spivak & His Orchestra | A♭ Major | 4 | 4B | 170 BPM | ||
| Georgia | Humphrey Lyttelton | C Major | 1 | 8B | 105 BPM | ||
| Squaty Roo - Remastered - 1995 | Johnny Hodges & His Orchestra | B♭ Minor | 3 | 3A | 103 BPM | ||
| (I Would) Do Anything For You | Benny Goodman | F Minor | 4 | 4A | 179 BPM | ||
| Wrapping It Up | Fletcher Henderson, Benny Goodman, Benny Goodman Rhythm Makers | A♭ Major | 9 | 4B | 132 BPM | ||
| They Say | Artie Shaw & His Ochestra, Helen Forrest | D♭ Major | 2 | 3B | 110 BPM | ||
| Rip Van Winkle | Ella Mae Morse | G Major | 2 | 9B | 68 BPM | ||
| Clarinet a la King - Instrumental | Benny Goodman | F Minor | 2 | 4A | 98 BPM | ||
| I'll Always Be In Love With You | Boilermaker Jazz Band | B♭ Major | 5 | 6B | 180 BPM | ||
| I Like Pie I Like Cake - But I Like You Best of All | Goofus Five | E♭ Major | 2 | 5B | 94 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | G Major | 2 | 9B | 68 BPM | ||
| Seems Like Old Times | Vaughn Monroe | B Minor | 2 | 10A | 115 BPM | ||
| Party Time | Jack Shaindlin | C Minor | 5 | 5A | 151 BPM | ||
| Bearcat shuffle | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A Minor | 4 | 8A | 155 BPM | ||
| Because Of You | Larry Clinton And His Orchestra | B Minor | 1 | 10A | 81 BPM | ||
| The Charleston | James P. Johnson, The 'This Is Jazz' All-stars | A Major | 7 | 11B | 116 BPM |