Talat Mahmood, Amitabh Bachchan, Ameen Sayani, Sardar Malik's ' "Commentry And Interview Amitabh Bacchan And Ae Gham - E - Dil Kiya Karoon" was released on its scheduled release date, January 31, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in O. P. Nayyar's "Geetmala Ki Chhaon Mein Vol. 1-5" album is number 10 out of 64. On top of that, India appears to be the country where this track was created. Commentry And Interview Amitabh Bacchan And Ae Gham - E - Dil Kiya Karoon is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Commentry And Interview Amitabh Bacchan And Ae Gham - E - Dil Kiya Karoon by Talat Mahmood, Amitabh Bachchan, Ameen Sayani, Sardar Malik to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jo Na Mil Saka | Noor Jehan | A♭ Major | 4 | 4B | 146 BPM | ||
| Aap Ki Nazron Ne Samjha (From "Anpadh") | Lata Mangeshkar | E Minor | 4 | 9A | 174 BPM | ||
| Tu Jo Mere Sur Men Sur Milaye | K. J. Yesudas, Hemlata | C Major | 4 | 8B | 103 BPM | ||
| Rimjhim Gire Sawan | Kishore Kumar, Lata Mangeshkar, R. D. Burman | D♭ Minor | 5 | 12A | 107 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Tum Hi Ho Mehboob Mere | Masood Rana | E♭ Major | 5 | 5B | 133 BPM | ||
| Mere Humsafar (Original Score) [Female Version] | Yashal Shahid | E Major | 4 | 12B | 144 BPM | ||
| meri nazar ka safar | Nostalgia Crafter | E Minor | 3 | 9A | 75 BPM | ||
| Babua O Babua | Hemlata | G Minor | 4 | 6A | 116 BPM | ||
| Chahenge Tujhe Par Kabhi | Talat Aziz | E Minor | 3 | 9A | 84 BPM | ||
| Chhu Kar Mere Manko - From "Yaarana" | Kishore Kumar | F Minor | 7 | 4A | 169 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Itna Toota Hun Ke Chhune Se | Ghulam Ali | A Minor | 5 | 8A | 125 BPM | ||
| Ye Samaa Samaa Hai Pyar Ka | Lata Mangeshkar | F Major | 4 | 7B | 127 BPM | ||
| Apne Liye Jiye To Kya Jiye | Manna Dey | F Major | 5 | 7B | 101 BPM | ||
| Hai Sab Se Madhur Woh Geet | Talat Mahmood | F Minor | 2 | 4A | 96 BPM | ||
| Ye Tune Kya Kiya | Pritam, Javed Bashir | G Major | 8 | 9B | 92 BPM | ||
| Humen To Loot Liya Milke | Ismail Azad Qawwal, Party | B♭ Major | 5 | 6B | 91 BPM | ||
| Itni Muddat Baad Mile Ho | Ghulam Ali | B♭ Major | 4 | 6B | 101 BPM | ||
| Unhen Tu Bhool Ja Ae Dil (From "Naya Ghar") | Talat Mahmood, Shankar Jaikishan | E Minor | 1 | 9A | 65 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Bhar Do Jholi Meri | Pritam, Adnan Sami, Kausar Munir | F♯ Minor | 9 | 11A | 110 BPM | ||
| Aapki Yaad Aati Rahi Raat Bhar | Chhaya Ganguli | F Minor | 3 | 4A | 133 BPM | ||
| Mitwa Lagi Re Yeh Kaisi | Talat Mahmood, S. D. Burman | F♯ Major | 2 | 2B | 96 BPM | ||
| Mere Mehboob Qayamat Hogi | Kishore Kumar, Laxmikant–Pyarelal | E♭ Major | 5 | 5B | 99 BPM |