"Mara Kanuda Na Baag Ma" by Aditya Gadhvi had its release date on October 14, 2023. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mara Kanuda Na Baag Ma's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Ochhav". In this album, this song's track order is #8. Mara Kanuda Na Baag Ma is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mara Kanuda Na Baag Ma by Aditya Gadhvi having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Ujjain Ke Mahakaal | Shahnaaz Akhtar | A♭ Major | 8 | 4B | 150 BPM | ||
| Nath Choti Nath Mhoti | Moti Khan | E Major | 8 | 12B | 170 BPM | ||
| Dhoso Baaje Re | Manganiyar Group | C Major | 8 | 8B | 86 BPM | ||
| Vaa Vaaya Ne Vaadal | Aditya Gadhvi | D♭ Minor | 9 | 12A | 138 BPM | ||
| Hare Ka Sahara | Parmen, Geetaben Rabari, Tijara Vines | B♭ Major | 6 | 6B | 170 BPM | ||
| Ghor Andhaari Re | Aditya Gadhvi | F♯ Major | 6 | 2B | 112 BPM | ||
| Gajro (feat. Aditya Gadhvi) | Priya Saraiya, Aditya Gadhvi | E Major | 7 | 12B | 124 BPM | ||
| Kutch Ma Anjaar Mota Sher | Aditya Gadhvi | D♭ Minor | 5 | 12A | 135 BPM | ||
| Mithila Ka Kan Kan Khila | Maithili Thakur | D Major | 6 | 10B | 125 BPM | ||
| Ladla Hu Mahakal Ka | Nitin Bagwan | G Major | 7 | 9B | 176 BPM | ||
| Mourya Re (Remix) - Ganpati Visarjan | Shankar Mahadevan, Shankar-Ehsaan-Loy, Kedrock, Sd Style | F♯ Major | 10 | 2B | 98 BPM | ||
| Ye Bhagwa Rang | Shahnaaz Akhtar | F♯ Major | 6 | 2B | 105 BPM | ||
| Chinchpokli Cha Chintamani | Ashwin Nirbhavane | F♯ Major | 8 | 2B | 90 BPM | ||
| Teri Mand Mand Muskaniya Pe | Nandlal Chhanga | F♯ Major | 9 | 2B | 89 BPM | ||
| Choti Choti Gaiya | Hari Bharwad | F Minor | 8 | 4A | 103 BPM | ||
| Parshwanath Stavanam | Roopesh Jain | D♭ Major | 7 | 3B | 135 BPM | ||
| Chori Chori Makhan | Swati Mishra | F Minor | 5 | 4A | 140 BPM | ||
| Jai Ganesh Deva (Ganesh Ji Aarti) | Harshit Saxena | A♭ Major | 7 | 4B | 150 BPM | ||
| Govind Tumhare Charano Main | Jai Jai Bhajans | A♭ Major | 5 | 4B | 115 BPM | ||
| Pichham Dharasu Mhara (Shringarik Aarti) | Gopal Bajaj | A♭ Major | 4 | 4B | 93 BPM | ||
| Ram Stuti | Aditya Gadhvi | F♯ Major | 10 | 2B | 80 BPM | ||
| Teri Mand Mand Mushkaniya Pe | Muzic Mantra | F♯ Major | 6 | 2B | 84 BPM | ||
| Bhajan Vina Mari Bhukh Nai Bhange | Aditya Gadhvi | F Major | 8 | 7B | 174 BPM | ||
| LAL SAIN BEAUTIFUL | JATIN UDSAI | C Major | 9 | 8B | 118 BPM |