Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky's ' "Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations)" was released on its scheduled release date, April 15, 2002. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Shostakovich: Jazz Suites Nos. 1 - 2 / The Bolt / Tahiti Trot". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
| Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo - 2017 Remastered Version | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
| Egyptischer Marsch (Egyptian March), Op. 335 | Johann Strauss II, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 4 | 8B | 167 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Major | 5 | 9B | 126 BPM | ||
| Royer: Pièces de clavecin, Book 1 (1746): No. 11 Le Vertigo - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | F Minor | 3 | 4A | 129 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Violin Sonata in G Major, Op. 134: II. Allegretto | Dmitri Shostakovich, Sergei Dogadin, Nikolai Tokarev | A Minor | 2 | 8A | 90 BPM | ||
| Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
| Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Scheherazade: The Festival at Bagdad | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 2 | 9A | 94 BPM | ||
| Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | ||
| Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
| Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
| Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM |