Laurel and Hardy's ' "At The Ball, That’s All" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. At The Ball, That’s All's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Trail Of The Lonesome Pine". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, At The Ball, That’s All's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With At The Ball, That’s All by Laurel and Hardy having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pass It on | Julius LaRosa | C Major | 4 | 8B | 171 BPM | ||
| Bell Bottom Blues | Alma Cogan | A Major | 2 | 11B | 124 BPM | ||
| Sweet Georgia Brown | Brother Bones & His Shadows | E♭ Major | 3 | 5B | 82 BPM | ||
| Tiptoe Through the Tulips | Nick Lucas | C Minor | 4 | 5A | 180 BPM | ||
| Zing! Went The Strings Of My Heart | Lew Stone & His Band | A Minor | 2 | 8A | 93 BPM | ||
| Don't Put Your Daughters on the Stage | Kenneth Williams | E♭ Major | 4 | 5B | 127 BPM | ||
| I Want to Be in Dixie | Laurel and Hardy | C Minor | 4 | 5A | 180 BPM | ||
| Minnie the Moocher - Alternate Take | Cab Calloway & His Orchestra | C Minor | 4 | 5A | 180 BPM | ||
| It's a Long Way to Tipperary | John McCormack | C Minor | 4 | 5A | 180 BPM | ||
| Lilli Marlene - 2016 Remaster | Vera Lynn | G Major | 1 | 9B | 96 BPM | ||
| Mad Dogs And Englishmen | Noel Coward | C Major | 2 | 8B | 134 BPM | ||
| Shrimp Boats | Jo Stafford | E Major | 3 | 12B | 174 BPM | ||
| The White Cliffs of Dover - 2016 Remaster | Vera Lynn | A♭ Major | 1 | 4B | 36 BPM | ||
| The Third Man Theme (The Harry Lime Theme) - Original Version | Anton Karas | F♯ Major | 5 | 2B | 90 BPM | ||
| I Like Pie, I Like Cake | The Four Clefs | D♭ Major | 3 | 3B | 179 BPM | ||
| Right Said Fred | Bernard Cribbins | G Major | 6 | 9B | 99 BPM | ||
| I Dreamt That I Dwelt | Laurel and Hardy | E Major | 1 | 12B | 90 BPM | ||
| Friends And Neighbours | Billy Cotton & His Band | F Major | 2 | 7B | 114 BPM | ||
| Oh By Jingo | Danny Kaye | G Minor | 5 | 6A | 120 BPM | ||
| Anniversary Song | Al Jolson | C Minor | 4 | 5A | 180 BPM | ||
| Finger of Suspicion | Dickie Valentine | D♭ Major | 3 | 3B | 82 BPM | ||
| They Can't Black Out the Moon | Harry Roy and His Orchestra | A Minor | 4 | 8A | 140 BPM | ||
| Auntie Maggie's Remedy | George Formby | B♭ Major | 5 | 6B | 113 BPM | ||
| The Cricket Song | Laurel and Hardy | D Major | 4 | 10B | 113 BPM | ||
| Makin' Whoopee | Eddie Cantor | C Minor | 4 | 5A | 180 BPM |