"Le Corsaire, Act I, Variation II A (mm=54)" by Riccardo Drigo, Christian Matjias had its release date on January 1, 2006. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 40 in Etoile - Solo Ballet Variations by Ludwig Minkus, Christian Matjias. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Le Corsaire, Act I, Variation II A (mm=54)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Corsaire, Act I, Variation II A (mm=54) by Riccardo Drigo, Christian Matjias is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your Song (Plié) | Joey McNamara | E♭ Major | 1 | 5B | 114 BPM | ||
| Valse bluette (Air de ballet No. 2) | Riccardo Drigo, Jascha Heifetz | D Major | 3 | 10B | 104 BPM | ||
| Paquita/Jewel Variation | Kim Ji Hyun | E♭ Major | 1 | 5B | 120 BPM | ||
| Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
| Le Talisman/Female Variation | Kim Ji Hyun | A Minor | 6 | 8A | 97 BPM | ||
| Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
| Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| Sleeping Beauty/Aurora Variation(Act.3) | Kim Ji Hyun | E Major | 2 | 12B | 112 BPM | ||
| Grand Pas Classique: Coda | Daniel Auber, Tasmanian Symphony Orchestra, Nicolette Fraillon | C Major | 4 | 8B | 118 BPM | ||
| Le Corsaire: Act III - "4. Le Jardin Anime: Waltz" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 0 | 4B | 142 BPM | ||
| Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| The Awakening of Flora (Ronde de Jambe) | Riccardo Drigo, Nina Miller | F Major | 2 | 7B | 75 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
| Pizzicato-Polka, Op. 449 | Johann Strauss II & Josef Strauss, Neeme Järvi, Estonian National Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
| 『海賊』(第2幕)よりメドーラのヴァリエーション | ガリーナ・ベズグラヤ | D Minor | 2 | 7A | 97 BPM | ||
| Sérénade, tirée du ballet Les millions d'Arlequin. Transcription d'Eugène Wolf | Riccardo Drigo, Aleth Lamasse, Daria Hovora | A Major | 1 | 11B | 86 BPM | ||
| Le Corsaire: Pas de Trois - Medora Variation | Baron Boris Fitinhof-Schnell, English National Ballet Philharmonic, Gavin Sutherland | F Major | 0 | 7B | 100 BPM | ||
| Barre: Pliés and Balance | Nolwenn Collet | E♭ Major | 2 | 5B | 109 BPM | ||
| Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
| Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Le piccadilly | Erik Satie, Dario Müller | F Major | 3 | 7B | 168 BPM | ||
| Pliés 3/4 (The Sleeping Beauty) | Eun S. Kim | C Major | 1 | 8B | 111 BPM | ||
| Pirouette Practice I - Drigo 3/4 | Ron Musicus | A Major | 1 | 11B | 127 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM |