Bright Eyes, Matt Berninger's 'The Time I Have Left' had a release date set for September 20, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Five Dice, All Threes by Bright Eyes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Time I Have Left's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Time I Have Left by Bright Eyes, Matt Berninger is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Greyhound | Foxing | D♭ Major | 3 | 3B | 136 BPM | ||
| Child of Mine | Laura Marling | F♯ Major | 1 | 2B | 111 BPM | ||
| England - Live in Rome | The National | D Major | 5 | 10B | 79 BPM | ||
| And Nothing Is Forever | The Cure | E Minor | 8 | 9A | 160 BPM | ||
| A Steady Mind | Loma | G Major | 5 | 9B | 83 BPM | ||
| Parting | Pedro The Lion | E Major | 5 | 12B | 92 BPM | ||
| Idiot Box | Sharon Van Etten | B Minor | 7 | 10A | 140 BPM | ||
| Behind That Curtain | Villagers | F♯ Minor | 4 | 11A | 112 BPM | ||
| Looking Back | Laura Marling | F♯ Major | 1 | 2B | 111 BPM | ||
| We Don’t Need Them | Bill Ryder-Jones | F Major | 1 | 7B | 80 BPM | ||
| Father | John Grant | F Minor | 5 | 4A | 120 BPM | ||
| No Lies, Just Love | Son, Ambulance, Bright Eyes | C Major | 5 | 8B | 141 BPM | ||
| Kaite Come True | Son, Ambulance, Bright Eyes | G Major | 2 | 9B | 122 BPM | ||
| Skeleton Crew | Christian Lee Hutson | F Major | 5 | 7B | 108 BPM | ||
| Normal | Conor Oberst and the Mystic Valley Band | A Major | 5 | 11B | 154 BPM | ||
| Remember the Voice | Joan As Police Woman | A♭ Major | 4 | 4B | 174 BPM | ||
| Weird Flex | GENTS | D Major | 4 | 10B | 129 BPM | ||
| The Black Maria | The Decemberists | A Minor | 7 | 8A | 149 BPM | ||
| All the Artists Live in L.a. | Sun Kil Moon | D Major | 1 | 10B | 79 BPM | ||
| Daddy | John Grant | D♭ Major | 2 | 3B | 83 BPM | ||
| Going For The Gold | Bright Eyes | G Major | 3 | 9B | 151 BPM | ||
| Soapbox | Dan Mangan | G Major | 4 | 9B | 62 BPM | ||
| The Last Great Washington State ('25) | Damien Jurado | E♭ Major | 4 | 5B | 106 BPM | ||
| Cleaning | Foxing | F Major | 5 | 7B | 138 BPM | ||
| Asphodels | The Veils | B Major | 0 | 1B | 143 BPM |