On March 4, 1997, the song "The Morning After" was released by Michael Lington. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Lington's "Michael Lington" album is number 2 out of 10. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, The Morning After's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Morning After by Michael Lington to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| Where I Left Off | Oli Silk | C Minor | 7 | 5A | 102 BPM | ||
| You're The One For Me - Instrumental | Urban Knights | G Minor | 5 | 6A | 138 BPM | ||
| A New Day | Michael Lington | E Major | 6 | 12B | 170 BPM | ||
| Bridge the Gap | Les Sabler | D Major | 7 | 10B | 107 BPM | ||
| Skyway | Steve Oliver | A♭ Minor | 7 | 1A | 90 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Afternoon Delight | Julian Vaughn, Elan Trotman | G Major | 7 | 9B | 110 BPM | ||
| MR SAX | Cristian Romero, Michael Lington | F Minor | 8 | 4A | 117 BPM | ||
| She Loves the Water | Cal Harris Jr. | G Major | 8 | 9B | 93 BPM | ||
| Sweet Kisses | Freddie Fox | F Major | 5 | 7B | 170 BPM | ||
| Sunset Bay | Braxton Brothers | E Major | 6 | 12B | 82 BPM | ||
| Here To Stay | The Sax Pack | F Minor | 6 | 4A | 110 BPM | ||
| Echoes of the Heart | Vincent Ingala, Chris Geith | D♭ Major | 8 | 3B | 156 BPM | ||
| You and I | Michael Lington | G Major | 8 | 9B | 100 BPM | ||
| Take Some Time Out | Oli Silk | F Minor | 7 | 4A | 85 BPM | ||
| Sassified | Lisa Addeo | G Major | 7 | 9B | 105 BPM | ||
| Anything's Possible | Fattburger | F♯ Major | 6 | 2B | 100 BPM | ||
| The Thing Is... | Dee Brown | E Minor | 8 | 9A | 100 BPM | ||
| My Soldier | Gail Jhonson, James Lloyd | D Major | 7 | 10B | 96 BPM | ||
| Warm Rain | Warren Hill | C Minor | 6 | 5A | 134 BPM | ||
| Let’s Get Serious | Nick Colionne | B♭ Minor | 5 | 3A | 106 BPM | ||
| Going Home | Michael Lington | F♯ Minor | 5 | 11A | 176 BPM | ||
| City Lights | Nelson Rangell | G Minor | 6 | 6A | 98 BPM | ||
| The World Is A Ghetto | The Sax Pack | C Minor | 8 | 5A | 100 BPM |