"The Doorman Clause" by Joel P West had its release date on January 30, 2026. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wonder Man (Original Soundtrack) by Joel P West. The song's track number on the album is #20 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. The Doorman Clause is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Doorman Clause by Joel P West has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With The Doorman Clause being at 61 BPM, the half-time would be 30 BPM with a double-time of 122 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Promise Of Tomorrow | Laurent Dury, JUSTEMENT MUSIC | B♭ Major | 1 | 6B | 200 BPM | ||
| Zenith | Howard Skybrooke | E♭ Major | 0 | 5B | 135 BPM | ||
| Monologues | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| Everything Is Gone | Ben Sollee, Time For Three | G Major | 1 | 9B | 86 BPM | ||
| The Pulpit | Hannah Peel | E♭ Minor | 1 | 2A | 121 BPM | ||
| Movement IX | Jerome Ellis, JJJJJerome Ellis | E Minor | 1 | 9A | 107 BPM | ||
| Balada para una Luna de Marmol | Magidclass | E♭ Major | 0 | 5B | 135 BPM | ||
| Foreshores | Lucie Treacher | A Minor | 3 | 8A | 130 BPM | ||
| Better Days | Ariadna Tubau | G Minor | 2 | 6A | 134 BPM | ||
| Bella Sees Billy | Anne Niktin | C Major | 2 | 8B | 126 BPM | ||
| Hell of a Performance | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| Petrichor | Lucie Treacher | A Minor | 3 | 8A | 130 BPM | ||
| 涙とブロック | Harumi Fuuki | A♭ Major | 2 | 4B | 124 BPM | ||
| Let's Walk Then | Joel P West | D Major | 0 | 10B | 120 BPM | ||
| After Floods | Todd Baker | A Minor | 3 | 8A | 130 BPM | ||
| Things Are Looking Prosperous | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Mysterium | Mosquitomuisic | E♭ Major | 0 | 5B | 135 BPM | ||
| Sospetti | Paolo Buonvino | E♭ Major | 0 | 5B | 135 BPM | ||
| Across the Field | Lia Ouyang Rusli | C Major | 4 | 8B | 120 BPM | ||
| Complesso | Emmas | E Minor | 1 | 9A | 89 BPM | ||
| Johnny Tells Granny | Terry Davies, Tiddler | G Major | 2 | 9B | 104 BPM | ||
| Les Rêves d'Aurélie | Ioan Francois Davies, Ioan Davies Music | C Major | 1 | 8B | 79 BPM | ||
| Is That Him? | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| Calling you | Furari | E♭ Major | 3 | 5B | 144 BPM | ||
| Beautiful Family | Laura Karpman | C Minor | 4 | 5A | 64 BPM |