Rajdeep Barot's ' "Mara Keva Lakhya Lekh Vidhata" was released on its scheduled release date, January 5, 2005. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rajdeep Barot's "Ghayal Bewafa" album is number 10 out of 14. On top of that, France appears to be the country where this track was created. Mara Keva Lakhya Lekh Vidhata is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mara Keva Lakhya Lekh Vidhata by Rajdeep Barot to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhori Rang Rangili | Kamlesh Barot, Nisha Barot | A♭ Major | 8 | 4B | 165 BPM | ||
| Jamna Ri Teer | Shyam Paliwal | A♭ Major | 9 | 4B | 110 BPM | ||
| Sayba Kem Kari Malva Aavu | Rajdeep Barot, Vanita Barot | B♭ Minor | 8 | 3A | 104 BPM | ||
| Sukhe Sambhare Saybi Ne Dukhe Mari Meldi | Hitesh Bharwad | C Minor | 8 | 5A | 178 BPM | ||
| Dilni Rani | Rakesh Barot | C Minor | 9 | 5A | 132 BPM | ||
| Chalo Pela | Rupal Doshi, Kirti - Girish | F♯ Minor | 7 | 11A | 143 BPM | ||
| Chhare Dishano Pawagadh | Master Rana | F Minor | 5 | 4A | 120 BPM | ||
| Tun Thodi Hasi Botal Bhar Daru Chadi | Kamlesh Barot | E Major | 8 | 12B | 115 BPM | ||
| bhoda bharvad mane gamta | Ram Bhai Bharwad, Motibhai Bharwad | D♭ Major | 7 | 3B | 53 BPM | ||
| Avasar Ayo Madrisana | Vijay Suvada, Kinjal Rabari | E♭ Major | 9 | 5B | 201 BPM | ||
| Podhhi Ja Mara Lal Halardu | Jyoti Vanjara | E Major | 9 | 12B | 87 BPM | ||
| Mara Thakar Betha Aena Dhyan Ma Re | Bhopa Bhagat | A Major | 7 | 11B | 105 BPM | ||
| Sayba | Tejal Thakor | D♭ Minor | 9 | 12A | 85 BPM | ||
| Upar Kanch Ka Bangla Niche Sharbat Ki Dukan | Jignesh Barot | F Minor | 9 | 4A | 145 BPM | ||
| Gori Tari Pritdi Mane Naa Bhulaay | Rajdeep Barot, Vanita Barot | F Minor | 6 | 4A | 120 BPM | ||
| Shyam Tari Morali Ni Radha Diwani | Rakesh Barot | E Minor | 9 | 9A | 48 BPM | ||
| Ek Taro Prem | Kishan Raval | C Major | 8 | 8B | 141 BPM | ||
| Bhaibandhi Amari (Female Version) | Devalben Gadhvi | F Minor | 9 | 4A | 111 BPM | ||
| Live With You (Jivavu Tari Sathe) | Rajan Kapra, Dhiren Koteshwar, Dharmesh Savli | D Major | 8 | 10B | 142 BPM | ||
| Kali Bhammar Gadiyo Vada (DJ Remix) | Nilesh Adraj, DJ MS Thakor | D♭ Minor | 9 | 12A | 130 BPM | ||
| Dost Tari Dosti | Rohit Thakor, Raju Thakor | C Minor | 9 | 5A | 101 BPM | ||
| Dhanya Dhanya Kutch Ni Dharni | Devraj Gadhavi | B Major | 8 | 1B | 200 BPM | ||
| Nathi Chetu Piyar Maru | Kinjal Rabari, Pintu Algotar | E♭ Minor | 8 | 2A | 90 BPM | ||
| Meldi Maa Podhya Hoyto | Rajdeep Barot, Vanita Barot | B Minor | 8 | 10A | 95 BPM | ||
| Welcome Umiya Maa | Sagar Patel | E Minor | 10 | 9A | 135 BPM |