Return to the King
Christcentric, the Apologist
The Christcentric Lab
5:08 April 1, 2024
BPM
93
Key
D♭ Major
Camelot
3B

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Return to the King by Christcentric, the Apologist Song Details

On April 1, 2024, the song "Return to the King" was released by Christcentric, the Apologist. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Christcentric Lab". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Return to the King is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Return to the King by Christcentric, the Apologist having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.98 dB
Acousticness
4%
Danceability
71%
Energy
82%
Instrumentalness
0%
Liveness
9%
Loudness
88%
Speechiness
30%
Valence
87%

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ISRC
TCAIB2476952
Label
L-M Records/RCA Records