Jimmy Forrest's ' "Matilda" was released on its scheduled release date, January 1, 1961. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jimmy Forrest's "Most Much!" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Matilda's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Matilda by Jimmy Forrest to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Good Bait | Leland Stein Quartet | C Minor | 3 | 5A | 149 BPM | ||
| My Buddy | Jimmy Forrest | F Major | 2 | 7B | 128 BPM | ||
| My Ideal | Kenny Dorham | E Minor | 1 | 9A | 65 BPM | ||
| My Old Flame | Frank Morgan | A♭ Major | 0 | 4B | 113 BPM | ||
| Can't We Be Friends? | Illinois Jacquet | F Minor | 1 | 4A | 105 BPM | ||
| Martin’s Place | The Beckett Assembly | E♭ Major | 0 | 5B | 164 BPM | ||
| After You've Gone | Magpie Jazz Trio | D Minor | 1 | 7A | 60 BPM | ||
| Under the Moonlight Starlight Blue | Doc Cheatham | B♭ Major | 0 | 6B | 138 BPM | ||
| Time On My Hands | Ahmad Jamal | A Minor | 1 | 8A | 62 BPM | ||
| You Stepped Out Of A Dream | Eddie "Lockjaw" Davis | A♭ Major | 3 | 4B | 82 BPM | ||
| Exactly Like You | Ray Brown Trio, Gene Harris, Phil Edwards | F Minor | 2 | 4A | 83 BPM | ||
| Solitude | Red Garland Quintet | B♭ Minor | 6 | 3A | 115 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Barefoot Sunday Blues | Cannonball Adderley Quartet | F Major | 3 | 7B | 133 BPM | ||
| Misty | Jimmy Forrest, Rastrelli Cello Quartet | A♭ Major | 1 | 4B | 79 BPM | ||
| The Rose Tattoo | Harry Allen | F Minor | 2 | 4A | 113 BPM | ||
| Blues Around Dusk | Arnett Cobb | G Major | 1 | 9B | 100 BPM | ||
| The Brookline Stop | Kenneth James Trio | E♭ Major | 0 | 5B | 164 BPM | ||
| I'm A Fool To Want | Art Farmer | E Minor | 0 | 9A | 62 BPM | ||
| Dat Dere | Bobby Timmons | A♭ Major | 3 | 4B | 135 BPM | ||
| My One and Only Love | Irvin Mayfield, Ellis Marsalis, Louisiana Philharmonic Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| The Call | Jacky Terrasson | B Minor | 3 | 10A | 106 BPM | ||
| Take Five | Jimmy Forrest, Rastrelli Cello Quartet | D Minor | 1 | 7A | 78 BPM | ||
| Blood Count | Stan Getz Quartet | D Major | 1 | 10B | 109 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM |