"Treehouse" by Kevin Penkin had its release date on September 27, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kevin Penkin's "MADE IN ABYSS ORIGINAL SOUNDTRACK" album is number 6 out of 52. On top of that, Japan appears to be the country where this track was created. Treehouse is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Treehouse by Kevin Penkin to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prayer and Immolation | Kevin Penkin | F Major | 2 | 7B | 115 BPM | ||
| Frozen Highlands | Tomoki Miyoshi | G Minor | 2 | 6A | 165 BPM | ||
| Visitation of A Calamity | 加藤達也 | D♭ Minor | 3 | 12A | 130 BPM | ||
| フォスフォフィライト | 藤澤慶昌 | B♭ Major | 3 | 6B | 146 BPM | ||
| ありがとう | Michiru | D Major | 2 | 10B | 0 BPM | ||
| いつの日か -Believe me- | 阿保剛 | F Minor | 1 | 4A | 69 BPM | ||
| Village | Alfredo Sirica | A♭ Major | 6 | 4B | 110 BPM | ||
| River | Triodust | A Minor | 1 | 8A | 81 BPM | ||
| アクアトープ | Yoshiaki Dewa | E Minor | 0 | 9A | 115 BPM | ||
| What Meets the Eye | Tomoki Miyoshi | B♭ Major | 1 | 6B | 101 BPM | ||
| The Voice in My Heart - Piano (Violet Evergarden Original Soundtrack) | maats | D Minor | 0 | 7A | 59 BPM | ||
| Harmonious | Binary Haze Interactive, Mili | D Minor | 0 | 7A | 172 BPM | ||
| City Ruins - Rays of Light | 岡部啓一 | F♯ Major | 4 | 2B | 100 BPM | ||
| Rinne | 帆足圭吾 | B Minor | 3 | 10A | 136 BPM | ||
| 流れゆく季節 | haruka nakamura | D♭ Major | 1 | 3B | 134 BPM | ||
| 予期せぬ再会 | Kenji Kawai | B Minor | 2 | 10A | 108 BPM | ||
| Helplessness - Intro | Binary Haze Interactive, Mili | A Minor | 3 | 8A | 86 BPM | ||
| ケモノとヒト | 森 悠也 | C Major | 2 | 8B | 118 BPM | ||
| PROXIMA - Instrumental version | Pretty Patterns | F Minor | 1 | 4A | 120 BPM | ||
| Significance - Nothing - J’Nique Nicole | 岡部啓一 | A Minor | 2 | 8A | 67 BPM | ||
| Will of Guard | Chamber Chu | A Minor | 4 | 8A | 130 BPM | ||
| Fonte | Saigenji | G Major | 2 | 9B | 120 BPM | ||
| Piano: Copied City | 帆足圭吾 | F Minor | 3 | 4A | 88 BPM | ||
| Stepping Along | Akira Senju | G Minor | 0 | 6A | 130 BPM | ||
| at our parting | 梶浦 由記 | D Minor | 0 | 7A | 72 BPM |