"Used To Be My Girl - Live from Spotify London" by The Last Shadow Puppets, Alex Turner, Miles Kane had its release date on March 21, 2016. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 5 in the song's album "Spotify Sessions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Used To Be My Girl - Live from Spotify London is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Used To Be My Girl - Live from Spotify London by The Last Shadow Puppets, Alex Turner, Miles Kane having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlantis | Wunderhorse | F♯ Minor | 5 | 11A | 161 BPM | ||
| Mystery Girl | Alexandra Savior | G Minor | 7 | 6A | 142 BPM | ||
| Fantasy | Mini Mansions | B Major | 8 | 1B | 160 BPM | ||
| Put Out The Fire | Jake Bugg | A Major | 9 | 11B | 109 BPM | ||
| Telepathy | Miles Kane | E Minor | 9 | 9A | 151 BPM | ||
| Ramona Flowers | The Blinders | C Major | 7 | 8B | 114 BPM | ||
| Everything You’ve Come To Expect - Live from Spotify London | The Last Shadow Puppets, Alex Turner, Miles Kane | D Minor | 4 | 7A | 97 BPM | ||
| Angel Eyes | The Strypes | B Minor | 8 | 10A | 114 BPM | ||
| I Don't Belong (Live) | Fontaines D.C. | A Minor | 6 | 8A | 115 BPM | ||
| What Difference Does It Make? - John Peel Session 18/05/83 | The Smiths | D♭ Minor | 10 | 12A | 159 BPM | ||
| Kathleen - Jim Eno Sessions | Catfish and the Bottlemen | B Minor | 9 | 10A | 138 BPM | ||
| Time Keeper | The Kairos | F Minor | 9 | 4A | 130 BPM | ||
| I Started Something I Couldn't Finish - 2011 Remaster | The Smiths | D♭ Minor | 9 | 12A | 135 BPM | ||
| Doctors & Dealers | Dirty Pretty Things | F Major | 10 | 7B | 120 BPM | ||
| The Girl With X-Ray Eyes (Demo) | Noel Gallagher's High Flying Birds | E♭ Major | 3 | 5B | 114 BPM | ||
| Don't Be Like That | Drowners | D♭ Minor | 7 | 12A | 158 BPM | ||
| Burn Alone | Jake Bugg | D Major | 9 | 10B | 153 BPM | ||
| Paint it Black (Live at The 100 Club) | The Jaded Hearts Club | C Major | 10 | 8B | 169 BPM | ||
| We Need Medicine | The Fratellis | E Major | 9 | 12B | 104 BPM | ||
| Untitled | Jacob Slater | D♭ Major | 1 | 3B | 106 BPM | ||
| Confidence | Dead Pretties | F Minor | 10 | 4A | 177 BPM | ||
| Scumbag City | The Strypes | D Major | 9 | 10B | 90 BPM | ||
| Piledriver waltz | Alex Turner | D♭ Major | 7 | 3B | 106 BPM | ||
| Aviation | The Last Shadow Puppets | C Major | 9 | 8B | 173 BPM | ||
| Aviation - Live from Spotify London | The Last Shadow Puppets, Alex Turner, Miles Kane | G Minor | 7 | 6A | 84 BPM |