"The Breaking Point" by Akiyuki Morimoto had its release date on February 1, 2017. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 81 in the song's album "RESIDENT EVIL 7 biohazard Original Soundtrack". In this album, this song's track order is #54. Furthermore, we believe that the track originated from Japan. In terms of popularity, The Breaking Point is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Breaking Point by Akiyuki Morimoto having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Indomitable | Knut Avenstroup Haugen, The Budapest Scoring Orchestra, Kjell Harald Litangen | B Minor | 4 | 10A | 100 BPM | ||
| -{EDGE OF THE FUTURE} | 崎元仁, ベイシスケイプ | E Minor | 8 | 9A | 140 BPM | ||
| The Howling Lone Wolf - Yian Garuga: World Version | TADAYOSHI MAKINO | B Minor | 8 | 10A | 144 BPM | ||
| Apostles of Evolution (Phase 2) | Lies of P | D Major | 8 | 10B | 77 BPM | ||
| 血塗れの鈎爪 | SIE Sound Team | C Major | 9 | 8B | 138 BPM | ||
| 強敵との交戦 | 木村華 | D♭ Major | 6 | 3B | 138 BPM | ||
| Spent Dreams | アトラスサウンドチーム, ATLUS GAME MUSIC | F Minor | 5 | 4A | 99 BPM | ||
| Encroaching Enemy | Yasunori Nishiki | D♭ Major | 9 | 3B | 168 BPM | ||
| 挽回の兆し | 光田康典, 土屋俊輔 | C Minor | 3 | 5A | 171 BPM | ||
| The Tourney of the Lands Between | Soma Tanizaki | A Major | 6 | 11B | 167 BPM | ||
| Enter the Fire God | Wilbert Roget, II | F Major | 8 | 7B | 138 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Arm of God | Lies of P | D Major | 8 | 10B | 77 BPM | ||
| Frenzied Nemesis | Lies of P | E Major | 1 | 12B | 69 BPM | ||
| Echoes of Bells Beneath a Crimson Moon (The Ravager) | Rob Westwood | B Minor | 2 | 10A | 125 BPM | ||
| Sanctuary Abandoned by the Gods: Small Monsters | Reo Uratani | C Minor | 6 | 5A | 69 BPM | ||
| Roots and Fruits | Warframe, Matthew Chalmers | G Major | 3 | 9B | 63 BPM | ||
| 凍てつく要塞に蠢く影 | YUKO KOMIYAMA | F Minor | 7 | 4A | 158 BPM | ||
| Stonedale Stronghold | Gareth Coker | F Major | 5 | 7B | 110 BPM | ||
| ベースキャンプ (夜) | Miwako Chinone | D Major | 0 | 10B | 107 BPM | ||
| Unpredictable and Joyous | Austin Wintory | D♭ Minor | 2 | 12A | 99 BPM | ||
| 天空の聖嶺 | 裏谷玲央 | A Minor | 3 | 8A | 130 BPM | ||
| 攻防自在、乱戦必至の城塞 | 堀諭史 | F Major | 5 | 7B | 112 BPM | ||
| The Putrescent Knight | Tsukasa Saitoh | G Minor | 6 | 6A | 117 BPM | ||
| Choir of One | Pieter Schlosser | D Major | 5 | 10B | 128 BPM |