Alla Rakha's 'Ham Gaaye Tum Nacho' had a release date set for December 31, 1943. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Ham Gaaye Tum Nacho's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Avinash Vyas And Allah Rakha, Ehsan Rizvi's "Mahasati Anasuya" album is number 2 out of 3. On top of that, India appears to be the country where this track was created. In terms of popularity, Ham Gaaye Tum Nacho is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ham Gaaye Tum Nacho by Alla Rakha to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bollywood Harmonium | Jonathan Mayer, Paul Downing | C Major | 3 | 8B | 120 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Teental (Part 1) - Punjabi Peshkaar (With Short Spoken Intro) | Alla Rakha, Zakir Hussain | F Minor | 7 | 4A | 84 BPM | ||
| Pashto | Alla Rakha, Zakir Hussain | E Minor | 4 | 9A | 159 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Raag Abhogi | Alla Rakha | D♭ Major | 8 | 3B | 153 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Maha Ganapatim - Nata | T. N. Krishnan | A Major | 3 | 11B | 122 BPM | ||
| Jo Maangna Hai Maangg Le Allah Se Ameen, Pt. 1 | Alla Rakha, Attie, Munir Hussain, Mohammad Roshan Ali, S.M. Batish, Zohri | B♭ Major | 4 | 6B | 87 BPM | ||
| Rooh Le Gaya | Shujaat Khan | F♯ Major | 5 | 2B | 79 BPM | ||
| Jaunpuri | Buddhadev DasGupta | F Minor | 4 | 4A | 112 BPM | ||
| Surphakta Taal | Alla Rakha | D♭ Major | 7 | 3B | 150 BPM | ||
| Tillana - Kapi | Doraiswamy Iyengar | F♯ Minor | 3 | 11A | 172 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Nature Sphere | Kaustav Majumder | B♭ Major | 2 | 6B | 84 BPM | ||
| Raaga Kafi - Teentaal | Ronu Majumdar, Ajeet Pathak | F♯ Minor | 2 | 11A | 84 BPM | ||
| Polka Dots - Instrumental | Purbayan Chatterjee, Ricky Kej | D Major | 5 | 10B | 110 BPM | ||
| Nannu Palimpa (Ragam) | Lalgudi G. Jayaraman | F Minor | 1 | 4A | 111 BPM | ||
| Raghupati Raghav Rajaram | Subham jossi, Jeetu Bhowmik | D Major | 1 | 10B | 71 BPM | ||
| Dil | Qais Essar | A Major | 6 | 11B | 125 BPM | ||
| Banarsi Dadra - 6 Beats | Rajendra Prasanna | E Major | 2 | 12B | 112 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM | ||
| Toronto (Canada) 1989 - Tintal | Zakir Hussain & Dudhadev Dasgupta | B Minor | 8 | 10A | 178 BPM | ||
| Gaud Malhar | Buddhadev DasGupta | C Major | 2 | 8B | 103 BPM | ||
| Bhastrika Pranayam - Raag Shuddha Sarang | Ronu Majumdar | E Major | 2 | 12B | 128 BPM |