"Khayal Raga Alhaiya Bilaval" by Raghunandan Panshikar had its release date on October 15, 2004. This song appears to be safe for all ages as it is not explicit. The track order of this song in Raghunandan Panshikar's "Janak Thaat Bilaval" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Khayal Raga Alhaiya Bilaval's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khayal Raga Alhaiya Bilaval by Raghunandan Panshikar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neel Saraswati Stotra | Susmirata Dawalkar | E♭ Major | 3 | 5B | 150 BPM | ||
| Aakalpa aayushya hvave taya kula (Abhang) | Nagesh Adgaonkar | E Major | 8 | 12B | 117 BPM | ||
| Dolat Dolat Tamakat | Pandit Bhimsen Joshi | B♭ Minor | 5 | 3A | 103 BPM | ||
| Sharade Karunanidhe | S.Aishwarya & S.Saundarya | A Major | 4 | 11B | 77 BPM | ||
| Shri Ananta Madhusudan | Raghunandan Panshikar | D♭ Major | 3 | 3B | 180 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Kayabeku Vaayu Suthane | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Guruparak Ko Ang, Guru Shishya Hera Ko Ang, Nigura Ko Ang | Kavi Narayan Agrawal, Raghunandan Panshikar | E Major | 4 | 12B | 119 BPM | ||
| Narayana Narayana Jai | Swami Haridhos Giri Guruji | B♭ Major | 4 | 6B | 171 BPM | ||
| Dnyanarajachi Aarti | Yeshwant Kothambikar | F♯ Major | 6 | 2B | 117 BPM | ||
| Mountain Meditation | NOÉRA | E♭ Major | 3 | 5B | 160 BPM | ||
| AMHA GHARI DHAN | Prathamesh Laghate | A Major | 7 | 11B | 99 BPM | ||
| Swami Samarth Gajar | Kamalakar Tapasvi | C Major | 8 | 8B | 101 BPM | ||
| Jay Deva Ganesha Namo | Upasak - Manoj Tamhankar, Rahul Deshpande | A Minor | 5 | 8A | 110 BPM | ||
| Kaadhaar Kuzhaiyaada | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM | ||
| Vishvacha Janita | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Jata Pandharin | Bhimsen Joshi | B♭ Major | 5 | 6B | 148 BPM | ||
| Sagun Sampanna | Mahesh Kale | D Major | 5 | 10B | 78 BPM | ||
| Hari Mhana Tumhi Govinda Mhana | Nivrithi | B♭ Minor | 8 | 3A | 139 BPM | ||
| Veera Hanuma Bahu Parakrama | Vidyabhushana | E♭ Major | 3 | 5B | 160 BPM | ||
| Jeevan He Devakaarya | Shankar Mahadevan | E♭ Major | 4 | 5B | 113 BPM | ||
| Dev Maza | PRA-DA | A♭ Major | 10 | 4B | 80 BPM | ||
| Hari Narayana Vasudeva Song | BCE Music | D Minor | 4 | 7A | 174 BPM | ||
| Sampurna Rudrashtakam | Raghunandan Panshikar | D Major | 6 | 10B | 152 BPM | ||
| Balsagar Bharat Howo | Pooja Dave, Abhimanyu Karlekar Shrinivas G. Kulkarni, Madhusudan G. Kulkarni | E♭ Major | 3 | 5B | 59 BPM |