Maria Kiosseva's 'Révérence / Stretch / Cool Down (8X8) In 3/4 - Song Without Words (Mendelssohn)' had a release date set for August 27, 2021. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Révérence / Stretch / Cool Down (8X8) In 3/4 - Song Without Words (Mendelssohn)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Piano Mix For Ballet Class Vol. 1". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. In terms of popularity, Révérence / Stretch / Cool Down (8X8) In 3/4 - Song Without Words (Mendelssohn) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Révérence / Stretch / Cool Down (8X8) In 3/4 - Song Without Words (Mendelssohn) by Maria Kiosseva having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 36 Originaltänze, D.365: No.31 in C Major and No.32 in F Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| Grand Battement En Cloche 3/4 | The Ballet Pianist | E Major | 0 | 12B | 114 BPM | ||
| FRAPPÉ ~Tea for Two~ - 4/4 8×4+16 | Shino Takizawa | D♭ Major | 2 | 3B | 81 BPM | ||
| Andante Con Variazion | Carl Maria von Weber, Anna Miernik, Joanna Sochacka | C Major | 0 | 8B | 81 BPM | ||
| La Sonnambula, Act I: "Prendi: l'anel ti dono" | Vincenzo Bellini, Nicolò Giuliano Tuccia | C Major | 0 | 8B | 71 BPM | ||
| シュー・クリーム | 井内澄子 | C Major | 3 | 8B | 130 BPM | ||
| Piano Sonata in B Minor - No. II | Carlos Marquez | D Major | 0 | 10B | 83 BPM | ||
| Come se fosse Pantani | Bruno Dagostino | F♯ Major | 0 | 2B | 64 BPM | ||
| ロン・ド・ジャンブ・ア・テール ~「眠れる森の美女」リラの精のテーマ~ - 3/4 8×8 | 滝澤 志野 | E Major | 1 | 12B | 114 BPM | ||
| Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
| 3 tendus in 1st | Dan Turcanu | C Major | 1 | 8B | 86 BPM | ||
| Valse, FP 53 | Francis Poulenc, Dario Müller | C Major | 2 | 8B | 102 BPM | ||
| Praia Do Norte | Sofia Ingeborg | E Minor | 0 | 9A | 93 BPM | ||
| Battement tendu & jeté (Sleeping Beauty) | Ji Hyun Kim | C Major | 2 | 8B | 77 BPM | ||
| Sonatina in C: II. | Tobias Haslinger, Robert Thompson | G Major | 0 | 9B | 120 BPM | ||
| Waltz (From "Ruses D’Amours", Scene 4) [Pliés, 3/4: 16 X 8] | Normand Babin | B Minor | 1 | 10A | 107 BPM | ||
| Adagio Ⅱ | J.S.Bach, Jiwon Choi | E Minor | 4 | 9A | 133 BPM | ||
| Jeté / Dégagé Roudnev, Vol. 1 | Marina Stolyar, Dmitri Roudnev | C Minor | 0 | 5A | 112 BPM | ||
| 12 One-Page Piano Pieces: Russian waltz | Elena Kats-Chernin, Caroline Almonte | G Minor | 1 | 6A | 74 BPM | ||
| Delilah (Grand Battement) | Charles Mathews | G Major | 3 | 9B | 174 BPM | ||
| Lieder ohne Worte, Op. 19b: VI. Andante sostenuto in G Minor | Felix Mendelssohn, Roberte Mamou | C Major | 0 | 8B | 83 BPM | ||
| Piano Sonata in A Major, D. 664: II. Andante | Franz Schubert, Martin Helmchen | D Major | 0 | 10B | 69 BPM | ||
| Fantasiestucke, Op. 12: No. 3, Warum? - Welte-Mignon 168 | Robert Schumann, Carl Reinecke, Peter Phillips | B♭ Major | 1 | 6B | 103 BPM | ||
| Frappes (with Repeat) | Miro Magloire, Wilhelm Burmann | G Major | 2 | 9B | 81 BPM | ||
| Le piccadilly | Erik Satie, Dario Müller | F Major | 3 | 7B | 168 BPM |