- BPM
- 158
- Key
- D♭ Minor
- Camelot
- 12A
Elsie Marley by Jan Kolar, Jan Hruby, Sean Barry Song Details
Jan Kolar, Jan Hruby, Sean Barry's ' "Elsie Marley" was released on its scheduled release date, September 16, 2022. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 13 in Come Dance with Me by Jan Kolar, Jan Hruby, Sean Barry. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, Elsie Marley's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
The tempo marking of Elsie Marley by Jan Kolar, Jan Hruby, Sean Barry is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -7.021 dB
- Acousticness
- 7%
- Danceability
- 53%
- Energy
- 63%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 88%
- Speechiness
- 3%
- Valence
- 59%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Sinfonia Weinen, Klagen, Sorgen, Zagen (BWV 12) | Thomas Indermühle | F Minor | 1 | 4A | 48 BPM | |
 | The Red Bean Poem | The Royal Wind Music | E♭ Minor | 0 | 2A | 87 BPM | |
 | Non Piu andrai | Five Sense | G Major | 2 | 9B | 78 BPM | |
 | String Quintet in E Major, Op. 11/5, G. 275: III. Minuetto – Trio – Minuetto da capo | Luigi Boccherini, Richard Lester, RTÉ Vanbrugh Quartet | A Major | 0 | 11B | 112 BPM | |
 | Beathoven Concerto No 1 | Belize Ensemble | G Major | 3 | 9B | 82 BPM | |
 | Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | |
 | Goldberg Variations, BWV 988 (Arr. Sitkovetsky for String Trio): Var. 5 a 1 ovvero 2 Clav. | Johann Sebastian Bach, Leopold String Trio | G Major | 2 | 9B | 141 BPM | |
 | 弦楽セレナード ホ短調 作品20: 第1楽章: Allegro piacevole | Edward Elgar, 石田組 | E Minor | 1 | 9A | 132 BPM | |
 | Marchenbilder (Fairy Tales), Op. 113: II. Lebhaft | Robert Schumann, Tabea Zimmermann, Hartmut Höll | E Major | 0 | 12B | 112 BPM | |
 | Sinfonia In E Flat Major, Wq. 183/2, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | |
 | Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | |
 | Beethoven: Notturno in D Major, Op. 42: IV. Adagio | Ludwig van Beethoven, Gérard Caussé, François-René Duchâble | E Major | 0 | 12B | 91 BPM | |
 | Xàfec de Llum I Tenebres: VII. Vayamos | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | |
 | Divertissement Grec | Philippe Gaubert, Katrina Penman, Sara Santirso, Beatriz Mier | A Minor | 1 | 8A | 139 BPM | |
 | Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A♭ Major | 0 | 4B | 100 BPM | |
 | Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | |
 | The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction. Maestoso ed adagio | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | |
 | 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. for Violin and Piano by Amanda Maier) | Robert Schumann, Trio Ernest | D♭ Major | 0 | 3B | 87 BPM | |
 | Reutter: Servizio di tavola | Johann Georg Reutter, Theodor Guschlbauer, The Wiener Barockensemble | C Major | 2 | 8B | 111 BPM | |
 | Pastoraalisarja, Op. 34: III. Legenda | Leevi Madetoja, Oulu Sinfonia, Rumon Gamba | A Minor | 0 | 8A | 75 BPM | |
 | Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | E♭ Major | 1 | 5B | 85 BPM | |
 | Hada pequeña | Quartetto Fancelli | D Minor | 3 | 7A | 119 BPM | |
 | Guitar Quartet No. 3 in A Major, Op. 4 No. 3, MS 30: II. Minuetto alla spagnola. Andantino | Niccolò Paganini, Paganini Ensemble Vienna | A Major | 1 | 11B | 115 BPM | |
 | Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | |
 | La locandiera Overture: III. Presto | Antonio Salieri, Matthias Bamert, London Mozart Players | F Major | 0 | 7B | 78 BPM |
- ISRC
- CZF332203458
- Label
- L-M Records/RCA Records