On 2002, the song "Gonna Leave and Let Her Be" was released by Mississippi Heat. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 14 in Footprints on the Ceiling by Mississippi Heat. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gonna Leave and Let Her Be is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gonna Leave and Let Her Be by Mississippi Heat is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three Alarm Desire | Altered Five Blues Band | A Major | 7 | 11B | 124 BPM | ||
| Turn Me Blue | The Bluetonics | D Minor | 4 | 7A | 172 BPM | ||
| Payday In America | Smokin' Joe Kubek & Bnois King | A Major | 8 | 11B | 99 BPM | ||
| Blues Ain't Far Behind | Karen Lovely | E Minor | 8 | 9A | 110 BPM | ||
| Blues Been Good to Me | James Armstrong | E Minor | 8 | 9A | 116 BPM | ||
| Bitter Sweet Love | Yugen Maestro | E Minor | 7 | 9A | 165 BPM | ||
| Still Be Friends | J.T. Lauritsen & The Buckshot Hunters | B♭ Major | 7 | 6B | 117 BPM | ||
| Three Days Out | Dave Hole | D Major | 7 | 10B | 165 BPM | ||
| My Word Is My Bond | The Holmes Brothers | D Major | 8 | 10B | 117 BPM | ||
| My Money's Green | Little Charlie & The Nightcats | D Major | 6 | 10B | 97 BPM | ||
| Reflejo en la ruta | Novara | D Minor | 4 | 7A | 172 BPM | ||
| Just Like A Fish | Rusty Zinn | F Major | 7 | 7B | 117 BPM | ||
| Whiskey Flavored Tears | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 112 BPM | ||
| Got Me Where You Want Me | W.C. Clark | B♭ Major | 9 | 6B | 126 BPM | ||
| Take Me To The Lord | NEW OLD BLUES, Daylight Rapture | G Minor | 3 | 6A | 82 BPM | ||
| The Devil's Been Busy | The EvenTunes | G Major | 3 | 9B | 96 BPM | ||
| Stepped Out Of Line | Mississippi Heat | C Major | 5 | 8B | 172 BPM | ||
| Death Letter | Phantom Blues Band | F Minor | 7 | 4A | 117 BPM | ||
| You'd Better Be Sure | Joe Beard, Duke Robillard | D Major | 1 | 10B | 178 BPM | ||
| My Mind Is Workin Overtime | William Clarke | C Minor | 7 | 5A | 113 BPM | ||
| Ugly Woman | Nick Moss Band, Dennis Gruenling | C Major | 9 | 8B | 75 BPM | ||
| Four Steel Walls | Mississippi Heat | F Minor | 9 | 4A | 126 BPM | ||
| I Need To Know | Delbert McClinton & The Dick50 | D Major | 4 | 10B | 78 BPM | ||
| No Sense | Nick Moss Band, Dennis Gruenling | E Major | 7 | 12B | 96 BPM | ||
| That Ain't Love | Mississippi Heat | B♭ Major | 9 | 6B | 113 BPM |