Hemlata's ' "Main Na Mangoon Maiya Tose" was released on its scheduled release date, December 1, 1969. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 3 in the song's album "Pujarin (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Main Na Mangoon Maiya Tose is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Main Na Mangoon Maiya Tose by Hemlata having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ramto Jogi | NARAYANSWAMI | F Major | 6 | 7B | 185 BPM | ||
| Tu Jo Mere Sur Men Sur Milaye | K. J. Yesudas, Hemlata | C Major | 4 | 8B | 103 BPM | ||
| Sawan Aayo Re | Hemlata, Jaishree Shivram, Jugal Kishore, Tilak Raj, Kusum Joshi | D♭ Major | 9 | 3B | 112 BPM | ||
| Aadhi Raat Ko Koi | Dilraj Kaur, Jaspal Singh | B Minor | 3 | 10A | 172 BPM | ||
| Shri Durga Sapshati - Chhata Adhyaye | Narendra Chanchal | E♭ Major | 7 | 5B | 80 BPM | ||
| Jhoom Utha Paagal Man | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Jai Shail Sute Sambhu Nute Deepachan Sweekaro | Chandrani Mukherjee, Hemlata | A Minor | 4 | 8A | 94 BPM | ||
| Agar Ze Khalq | Ahmad Zahir | B♭ Minor | 7 | 3A | 98 BPM | ||
| Chal Chal Kahin Akele Mein - Sulakshana Pandit | Sulakshana Pandit | F♯ Major | 7 | 2B | 95 BPM | ||
| Marjabak To Kuthe | Mehmood, Hemlata | F♯ Major | 4 | 2B | 143 BPM | ||
| Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Shiv Ka Jhanda Ooncha Mahan | Brahma Kumari | F Major | 5 | 7B | 120 BPM | ||
| Chhuk Chhuk Rail Chali Hai | Arzoo Bano | E♭ Major | 4 | 5B | 82 BPM | ||
| Maine Munh Ko Kafan Mein Chhupa Jab Liya | Chandan Dass | C Major | 5 | 8B | 134 BPM | ||
| Jagdambe Maa Tane Dhyauun | Bhagat Ramniwas Ji | D Major | 6 | 10B | 146 BPM | ||
| He Jagat Ke Malik Ram | Usha Mangeshkar | C Major | 5 | 8B | 106 BPM | ||
| Jhilmil Jhilmil Taaronwali | Kavita Krishnamurthy | D Major | 3 | 10B | 123 BPM | ||
| Tujhe Dekhane Ke | Shabbir Kumar, Kavita Krishnamurthy | B♭ Major | 9 | 6B | 149 BPM | ||
| Mere Dil Dhadakne Ka | Peenaz Masani | F♯ Major | 4 | 2B | 151 BPM | ||
| Khabhi Khud Pe Kabhi Halat Pe Rona Stereo | Mohammed Rafi | F Major | 2 | 7B | 67 BPM | ||
| Hey Shambho Tere Mandir Mein | Sonu Nigam | G Major | 7 | 9B | 117 BPM | ||
| Mohe Chhota Mila Bhartaar - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Chetan, Hemlata, Jaspal Singh | D Major | 10 | 10B | 111 BPM | ||
| Jogi Ji Dheere Dheere - Tribal Tech | DJ Harshit Shah, DJ Cherry D, Chandrani Mukherjee, Hemlata, Jaspal Singh, Sushil Kumar | D♭ Major | 10 | 3B | 125 BPM | ||
| Beti to Paraya Dhan Hoti Hai (With Jhankar Beats) | Sapna Awasthi | A♭ Major | 3 | 4B | 113 BPM | ||
| Ghoonghar Wale Baal | Pt. Bhushan, Sunil, Kishore Kumar, Mahendra Kapoor, Pankaj | F Major | 9 | 7B | 120 BPM |