"Invisible" by Helen Jane Long had its release date on December 18, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Disconnect by Helen Jane Long. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Invisible is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Invisible by Helen Jane Long is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wind and Waves | Doug Hammer | D Minor | 4 | 7A | 115 BPM | ||
| Unearthed | Philip Daniel, Shawn Williams | F Major | 3 | 7B | 131 BPM | ||
| Yours | Vicente Avella | C Major | 2 | 8B | 72 BPM | ||
| Ever There | Magnus John Anderson, Jan Strand, Annika Blomfeldt | C Major | 2 | 8B | 128 BPM | ||
| Moonlight Letters | Martin Czerny | C Major | 2 | 8B | 128 BPM | ||
| Soul's Return | Mark Sutton | E Minor | 2 | 9A | 180 BPM | ||
| Dancing leaves | Matteo Saggese, Anna Phoebe | C Major | 2 | 8B | 115 BPM | ||
| Fond Times | Samuel Bohn | E Major | 3 | 12B | 95 BPM | ||
| Love Alway Yieldeth, Love Alway Hardeneth | Eli Tausen á Lava | C Major | 2 | 8B | 128 BPM | ||
| What Might Have Been | Francis Wells | D♭ Major | 4 | 3B | 150 BPM | ||
| Departures | No-kë | D Minor | 1 | 7A | 67 BPM | ||
| In A Heartbeat | The Gunslingers | E♭ Major | 4 | 5B | 122 BPM | ||
| Contemplating (Softly) | Fiona Joy Hawkins | A Minor | 2 | 8A | 120 BPM | ||
| Reverie | Omar Raafat | B Minor | 3 | 10A | 120 BPM | ||
| Still Of The Night | Samuel Bohn, Joni Fuller | A Minor | 5 | 8A | 150 BPM | ||
| Embers VI - Orchestral Version | Rob Graves | A Minor | 1 | 8A | 112 BPM | ||
| Shadow of a Magnitude | Howard Harper-Barnes | F♯ Minor | 2 | 11A | 158 BPM | ||
| Under the Olive Tree | Denise Young | D♭ Major | 2 | 3B | 140 BPM | ||
| Lost Wind | Helen Jane Long | A Minor | 1 | 8A | 150 BPM | ||
| Medieval Pulse | Lo-Fi Dreamy Violin, Ambient Violin Music, Lo-Fi Music | F Minor | 3 | 4A | 130 BPM | ||
| Fallen Sun | Eric Heitmann, Juliano | G Minor | 2 | 6A | 80 BPM | ||
| Colors in Movement | Johannes Bornlöf | E Minor | 2 | 9A | 148 BPM | ||
| Sierra | Thom Robson, Joni Fuller | C Minor | 1 | 5A | 174 BPM | ||
| Nostalgia | David Clavijo | B Major | 2 | 1B | 128 BPM | ||
| The Ballad of the Lake of Tears | Chris Palmer | D♭ Minor | 2 | 12A | 108 BPM |