"finite distinct" by Lukas Lauermann had its release date on September 18, 2020. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lukas Lauermann's "I N" album is number 3 out of 22. On top of that, Germany appears to be the country where this track was created. finite distinct is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of finite distinct by Lukas Lauermann to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cross | Ted Regklis | E♭ Minor | 0 | 2A | 90 BPM | ||
| Ithaki | Laura Masotto, Hior Chronik | D Minor | 2 | 7A | 123 BPM | ||
| Along the Danube | Sergio Díaz De Rojas | E♭ Minor | 0 | 2A | 129 BPM | ||
| Schliess die Augen | Dascha Dauenhauer | F♯ Major | 2 | 2B | 101 BPM | ||
| The Chess Game | Emily Stewart, Lukas Lauermann, Philipp Kienberger | C Major | 0 | 8B | 173 BPM | ||
| Promenade | Laura Masotto | G Minor | 3 | 6A | 125 BPM | ||
| Back to Loneliness | Tom Kinsella | F Minor | 2 | 4A | 79 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Elise's Adagio | Ruben de Gheselle, Mike van Diem | C Minor | 0 | 5A | 80 BPM | ||
| Ence | Lukas Lauermann | E Minor | 4 | 9A | 57 BPM | ||
| The Water Rises | Kronos Quartet, Laurie Anderson | F Minor | 3 | 4A | 106 BPM | ||
| Near and Far | Luke Howard | E♭ Minor | 0 | 2A | 90 BPM | ||
| Love Remains | Valentin Hadjadj | A♭ Major | 0 | 4B | 122 BPM | ||
| Solo? Repeat! | Anne Müller | A♭ Major | 2 | 4B | 95 BPM | ||
| It's Beautiful, So It Is (Reprise) | Charlie Jefferson | E Major | 1 | 12B | 170 BPM | ||
| Satire A | Marina Ortega Mira | E♭ Minor | 0 | 2A | 90 BPM | ||
| Photo capercaille | Warren Ellis | D Major | 1 | 10B | 76 BPM | ||
| Organum | Juliano | E♭ Minor | 0 | 2A | 90 BPM | ||
| La condition | David Sztanke | A Minor | 3 | 8A | 119 BPM | ||
| Stuk | Jóhann Jóhannsson, Echo Collective | C Major | 0 | 8B | 201 BPM | ||
| Being Anne | Anne Müller | E Minor | 2 | 9A | 84 BPM | ||
| formation / arration | Lukas Lauermann | D Minor | 0 | 7A | 93 BPM | ||
| Aux confins | Gaspar Claus | D Minor | 2 | 7A | 130 BPM | ||
| WINDMILLS, Pt. III | Lubomyr Melnyk | E♭ Minor | 0 | 2A | 90 BPM | ||
| Open Window: Part I | Lavinia Meijer | G Minor | 3 | 6A | 100 BPM |