"Gabriel Fauré Après Un Rêve" by Josef Karlicek, Petr Karlicek had its release date on July 21, 2014. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Gabriel Fauré Après Un Rêve and no other songs are present in the album, we classify this track as a single. In terms of popularity, Gabriel Fauré Après Un Rêve is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gabriel Fauré Après Un Rêve by Josef Karlicek, Petr Karlicek to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Trio in G Minor, Op. 17: I. Allegro moderato | Clara Schumann, Nash Ensemble | G Minor | 1 | 6A | 76 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Violin & Orchestra by Alex Fortes): No. 1, Allegro moderato | Antonín Dvořák, Grace Park, PKF - Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 94 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | G Major | 1 | 9B | 85 BPM | ||
| It is Well With My Soul | Trio Barclay | G Major | 1 | 9B | 85 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 85 BPM | ||
| Rondo for Cello and Orchestra in G Minor, Op. 94 | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 85 BPM | ||
| Nocturne Op. 8 No. 4 – Andante | Milenna Jovic | D Minor | 0 | 7A | 71 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | G Major | 1 | 9B | 85 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Sonata No.3 A major Op.69 - 3 Mov | Josef Karlicek, Petr Karlicek | G Major | 1 | 9B | 85 BPM | ||
| Bottesini: Double Bass Concerto No. 2 in B Minor: II. Andante | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | G Major | 1 | 9B | 72 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | G Major | 1 | 9B | 85 BPM | ||
| Sizzle and Spice | Estoria | G Major | 1 | 9B | 85 BPM | ||
| Bach, JS: Sonata for Violin & Keyboard No. 6 in G Major, BWV 1019: II. Largo | Johann Sebastian Bach, Renaud Capuçon, David Fray | E Minor | 0 | 9A | 70 BPM | ||
| 3 Romances, Op. 22: I. Andante molto | Clara Schumann, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 87 BPM | ||
| Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | G Major | 1 | 9B | 85 BPM | ||
| Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
| Piano Trio No. 2 "California": II. Adagio | Michael Fine, Trio Barclay | G Major | 1 | 9B | 85 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Moz-Art für zwei Violinen (Nach dem Fragment KV 416d) | Alfred Schnittke, Clarissa Bevilacqua, Larissa Cidlinsky | G Major | 1 | 9B | 85 BPM | ||
| Schumann: Frauenliebe und -leben, Op. 42: No. 2, Er, der Herrlichste von allen (Version for Violin and Piano) | Robert Schumann, Renaud Capuçon, Jerome Ducros | C Minor | 1 | 5A | 105 BPM | ||
| Fallen Angel: V. Violin Cadenza | Mateusz Smoczyński | B Minor | 1 | 10A | 88 BPM | ||
| Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | ||
| Reflection No. 5 (With Surprises) | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 80 BPM |