John Wesley Harding's ' "Kill the Messenger" was released on its scheduled release date, 1992. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Why We Fight by John Wesley Harding. The song's track number on the album is #1 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Kill the Messenger is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Kill the Messenger by John Wesley Harding has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Kill the Messenger being at 172 BPM, the half-time would be 86 BPM with a double-time of 344 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come On Down | Haymaker | A Minor | 2 | 8A | 138 BPM | ||
| Just to See Your Smile | Chuck Prophet | A Major | 7 | 11B | 122 BPM | ||
| Lucinda Williams | Vic Chesnutt | F Major | 5 | 7B | 99 BPM | ||
| Monkey Wash, Donkey Rinse | David Lindley, Ry Cooder | F♯ Major | 5 | 2B | 115 BPM | ||
| Last One Standing | Neil Finn | D Major | 6 | 10B | 149 BPM | ||
| Jesus Was a Social Drinker | Chuck Prophet | D Major | 7 | 10B | 112 BPM | ||
| It's Not Unusual - Ivo's Mix | Belly | G Major | 9 | 9B | 173 BPM | ||
| At 24 | Skydiggers | G Major | 9 | 9B | 147 BPM | ||
| Sonic Boom | Gear Daddies | E Major | 1 | 12B | 106 BPM | ||
| She's Sad She Said | The Judybats | E Major | 9 | 12B | 160 BPM | ||
| My World | Kevin Haszto | A Minor | 2 | 8A | 138 BPM | ||
| Rumor Has It | The Honeydogs | B♭ Minor | 8 | 3A | 139 BPM | ||
| The Slacks | Trip Shakespeare | D Major | 6 | 10B | 108 BPM | ||
| Powderfinger | The Beat Farmers | E Major | 8 | 12B | 130 BPM | ||
| New American Language | Dan Bern | A Major | 7 | 11B | 97 BPM | ||
| My Ride's Here | Warren Zevon | D♭ Minor | 3 | 12A | 115 BPM | ||
| He's a Dick | Golden Smog | G Major | 4 | 9B | 76 BPM | ||
| Emmaline | Urge Overkill | G Major | 2 | 9B | 94 BPM | ||
| Dancing With Joey Ramone | Amy Rigby | C Major | 7 | 8B | 130 BPM | ||
| Words, Words, Words | John Wesley Harding, The Minus 5 | E Major | 2 | 12B | 129 BPM | ||
| Friday Night (Is Killing Me) | Bash & Pop | B Major | 9 | 1B | 127 BPM | ||
| Vanity Fair | World Party | E Minor | 6 | 9A | 78 BPM | ||
| Nothing I'd Rather Do | John Wesley Harding | G Major | 9 | 9B | 91 BPM | ||
| She's a Runaway | Bodeans | A Major | 6 | 11B | 136 BPM | ||
| Stupid Boy | Gear Daddies | G Major | 6 | 9B | 140 BPM |