Sarah Blasko's 'Always Worth It' had a release date set for January 1, 2004. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Overture & the Underscore (AU Edition)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Based on our statistics, Always Worth It's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Always Worth It by Sarah Blasko having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ramona Was A Waitress | Paul Dempsey | E Major | 6 | 12B | 165 BPM | ||
| Finding You | The Go-Betweens | C Major | 8 | 8B | 124 BPM | ||
| Hold Me Close | Bertie Blackman | E Minor | 9 | 9A | 118 BPM | ||
| The Great Optimist | Paul Dempsey | D Major | 6 | 10B | 82 BPM | ||
| Wash Me Clean | Bernard Fanning | F Major | 3 | 7B | 147 BPM | ||
| Get Gotten | Ben Lee | D Major | 4 | 10B | 116 BPM | ||
| A Million Tears | Kasey Chambers | C Major | 5 | 8B | 161 BPM | ||
| Stopless | Screamfeeder | D Major | 6 | 10B | 94 BPM | ||
| Stranger Strange | Augie March | A Major | 6 | 11B | 184 BPM | ||
| Don't Fight It - Radio Edit | The Panics | E Major | 5 | 12B | 89 BPM | ||
| On This Side | Clare Bowditch, the Feeding Set | C Major | 7 | 8B | 88 BPM | ||
| Old Fitzroy | Dan Sultan | G Major | 6 | 9B | 80 BPM | ||
| A Shot | Sarah Blasko | G Minor | 6 | 6A | 101 BPM | ||
| Talking Like I'm Falling Down Stairs | Sparkadia | E Major | 7 | 12B | 120 BPM | ||
| Heavy Heart | You Am I | C Major | 4 | 8B | 113 BPM | ||
| Bastard Son | George | C Major | 8 | 8B | 124 BPM | ||
| Heart | Bertie Blackman | E Minor | 7 | 9A | 116 BPM | ||
| Dirty Jeans | Magic Dirt | F Major | 8 | 7B | 141 BPM | ||
| Tonight's The Night | Little Birdy | F Major | 8 | 7B | 124 BPM | ||
| Drug Flowers | The Gin Club | D Major | 7 | 10B | 126 BPM | ||
| Majesty | The Panics | D♭ Major | 6 | 3B | 125 BPM | ||
| The Metre | Powderfinger | A Major | 7 | 11B | 163 BPM | ||
| Burst Your Bubble | Lior | B♭ Major | 5 | 6B | 125 BPM | ||
| Red Sails | Custom Kings | B Minor | 9 | 10A | 113 BPM | ||
| The Strangest Thing | Bernard Fanning | G Major | 5 | 9B | 91 BPM |