Robot Entertainment's ' "His Head Come Off" was released on its scheduled release date, January 28, 2025. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. His Head Come Off's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Orcs Must Die! Deathtrap (Original Soundtrack)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, His Head Come Off's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With His Head Come Off by Robot Entertainment having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battle Trance | Clark Aboud | E Minor | 3 | 9A | 135 BPM | ||
| Ashlands' Ruins 2 - Soaring high, come laying low | Patrik Jarlestam, Freya Schack-Arnott, Beth Condon, Anna Cooper, Michael H Dixon, Mattias Hanskov Palm | D♭ Minor | 2 | 12A | 126 BPM | ||
| Underground Battle II | Hyperduck Soundworks | G Major | 7 | 9B | 105 BPM | ||
| Crypt Of The Damned | Ari Pulkkinen | F Major | 3 | 7B | 90 BPM | ||
| The One True King | Rob Westwood | A Minor | 7 | 8A | 80 BPM | ||
| Eternaland | Sabir Babayev, Strelka | G Major | 2 | 9B | 84 BPM | ||
| Lynchwood Sheriff Combat | Cris Velasco, Sascha Dikiciyan | B♭ Major | 9 | 6B | 140 BPM | ||
| Warhead Junction | Glenn Stafford | D Major | 7 | 10B | 133 BPM | ||
| Card To Play | Neal Acree, StarCraft, Blizzard Entertainment | G Major | 6 | 9B | 160 BPM | ||
| Jazz Be Damned | Alexander Brandon | C Major | 9 | 8B | 105 BPM | ||
| The Sixth Exodus - Valor | Borough Bound | B♭ Minor | 9 | 3A | 131 BPM | ||
| Jump into Battle | Phyrnna | C Major | 7 | 8B | 170 BPM | ||
| Assault on New Avalon | Russell Brower, Neal Acree, World of Warcraft, Blizzard Entertainment | G Minor | 4 | 6A | 135 BPM | ||
| Arctic Battle 1 | Curtis Schweitzer | A Minor | 7 | 8A | 140 BPM | ||
| Spectre Induction | Jack Wall, Richard Jacques, Sam Hulick, EA Games Soundtrack | A Minor | 5 | 8A | 95 BPM | ||
| Why do we fight? | Neal Acree, World of Warcraft, Blizzard Entertainment | C Minor | 4 | 5A | 120 BPM | ||
| Urban Warfare | Jon Everist, Paradox Interactive | C Minor | 1 | 5A | 136 BPM | ||
| The Forest Is Moving | Patrik Jarlestam | G Major | 10 | 9B | 130 BPM | ||
| Megalopolis | Dynamedion | F Minor | 8 | 4A | 110 BPM | ||
| Rotgut's In The Air - Holidays in the Borderlands | Cris Velasco | E Minor | 7 | 9A | 120 BPM | ||
| Giant Killerz | Robot Entertainment | D♭ Major | 7 | 3B | 78 BPM | ||
| Brutal Brawl | Phill Boucher, Robot Entertainment | A Minor | 7 | 8A | 105 BPM | ||
| Zandalar Forever | Sam Cardon, World of Warcraft, Blizzard Entertainment | A Minor | 8 | 8A | 69 BPM | ||
| Troll | Grant Kirkhope | D Minor | 5 | 7A | 95 BPM | ||
| NO REGRETS | PROJECT SOUL, Bandai Namco Game Music | C Minor | 7 | 5A | 96 BPM |