Rekha Rao, Tej Karan Rao's ' "O Man Basiya" was released on its scheduled release date, July 14, 1999. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Rekha Rao, Tej Karan Rao's "Mhare Haath Ko Churhlo Laade Re" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, O Man Basiya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of O Man Basiya by Rekha Rao, Tej Karan Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Radha Gori Gori | Dhruv Sharma, Swarna Shri | F♯ Minor | 6 | 11A | 168 BPM | ||
| Tali Baja Lena | Riza Khan, Bali Thakre | D Major | 10 | 10B | 128 BPM | ||
| Ik Lota Bhaang Pila De | Pt. Ram Avtar Sharma, Rajnish Sharma | B♭ Minor | 7 | 3A | 150 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Khaa Gayo Bairi Bichhudo | Rekha Rao, Pramesh Premi | D♭ Minor | 7 | 12A | 171 BPM | ||
| Radha Dhundh Rahi Kisi Ne Mera Shyam Dekha | Vandana Bhardwaj | C Major | 8 | 8B | 130 BPM | ||
| Saanware Sarkar | Raj Pareek | F♯ Major | 9 | 2B | 92 BPM | ||
| Mere Jeevan Ki Jud Gayi Dor | Sadhvi Purnima | A♭ Minor | 5 | 1A | 96 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Mathe Ki Bindiya Chamke | Mamta Singh | B♭ Minor | 7 | 3A | 125 BPM | ||
| Shyam Name Ki Kamai | Kishan Bhagat | B Minor | 8 | 10A | 145 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Dinanath Meri Baat Chani Koni Tere Sath | Sanju Sharma | A Major | 8 | 11B | 78 BPM | ||
| Naache - Naache Re Anjani Maa Ko Laal | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Sanwariya Seth De De 1 - Original | Gokul Sharma, NA | F Minor | 9 | 4A | 188 BPM | ||
| Jara Itna Bta De Kanha Tera Rang Kala Kyu | Anju Sharma | C Minor | 3 | 5A | 104 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Ganpati Ji Ganesh Nu Manaiye | Santosh Kumar | D♭ Major | 10 | 3B | 90 BPM | ||
| Main Radha Vallabh Ki | Devi Neha Saraswat | E♭ Minor | 9 | 2A | 134 BPM | ||
| Shankar Teri Jata Se Behti Hai Gang Dhara | The Bundeli Artists | A♭ Minor | 7 | 1A | 147 BPM | ||
| Nachna Mohan De Naal | Naresh Narsi | B♭ Minor | 8 | 3A | 120 BPM | ||
| Jara Der Thahro Ram | Devendra Pathak | B♭ Minor | 7 | 3A | 85 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM |