Sirkazhi Govindarajan, M. S. Rajeswari, Laxmikant–Pyarelal's ' "Thottakkara" was released on its scheduled release date, August 31, 1991. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Madhavi and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Thottakkara's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Thottakkara by Sirkazhi Govindarajan, M. S. Rajeswari, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ennappanallavaa | M.M.Dandapani Desikar, Papanasam Sivan, Kothamangalam Subbu | F♯ Major | 4 | 2B | 105 BPM | ||
| Velodu Vilaiyadi Va | Srihari | A Minor | 7 | 8A | 68 BPM | ||
| Maname Muruganin | Radha Jayalakshmi | G Major | 4 | 9B | 105 BPM | ||
| Kadhalagi | D.V. Ramani | A Minor | 7 | 8A | 140 BPM | ||
| Vaiyattu Vaazhveergaal | Sikkil Gurucharan | D Minor | 4 | 7A | 92 BPM | ||
| Andru Ketpavan | T. M. Soundararajan | C Minor | 6 | 5A | 131 BPM | ||
| Lingashtagam | Bombay Saradha | A Minor | 5 | 8A | 95 BPM | ||
| Solla Solla (Version 2) | Mahanadhi Shobana | E Major | 5 | 12B | 142 BPM | ||
| Patchai Mayil Velanukku | Mahanadhi Shobana | A Major | 7 | 11B | 173 BPM | ||
| Malayanooru Anagalamma | Sivakumar Poosari | F♯ Major | 9 | 2B | 117 BPM | ||
| Valli Kanavan Perai | Vasudha Ravi, Vidya Kalyanaraman | G Major | 6 | 9B | 156 BPM | ||
| Thalai Yezhuthai - Language: Tamil; Genre: Ganesha | T. L. Maharajan | C Major | 6 | 8B | 101 BPM | ||
| Om Hara Shankara | Krishanraj, Parupalli Ranganath, S. Ramanathan | B Minor | 5 | 10A | 133 BPM | ||
| Thikkuth Theriyaatha - Language: Tamil; Genre: Amman | Sakthidaasan | A♭ Major | 6 | 4B | 109 BPM | ||
| Kaaviri Choozh | Sirkazhi Govindarajan | C Major | 3 | 8B | 96 BPM | ||
| Thiruppugazh | V2S2 | G Major | 5 | 9B | 128 BPM | ||
| Kuzhaloothum Kannane Odiva | Saindavi | C Major | 6 | 8B | 171 BPM | ||
| Namachivaya Ena | Sirkazhi Govindarajan, T. R. Mahalingam | A Major | 5 | 11B | 137 BPM | ||
| Vellimalai Mannava | S. Varalakshmi | E♭ Minor | 6 | 2A | 146 BPM | ||
| Aadathu Asangathu Vaa Kanna | Pithukuli Murugadas, Karaikudi Mani, T.S. Vasudeva Rao | B Minor | 6 | 10A | 149 BPM | ||
| Sivapurana Pathikam | Pon Sundaralingam | A♭ Major | 3 | 4B | 109 BPM | ||
| Vetrivel | Sirkazhi Govindarajan | C Minor | 6 | 5A | 100 BPM | ||
| Velundu Mayilundu | A. R. Ramani Ammal | F Minor | 5 | 4A | 112 BPM | ||
| Sennipathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Sathuragiriyin Kavalane | Ayyappa Daasan | B♭ Minor | 6 | 3A | 82 BPM |