1997's '#1' had a release date set for October 13, 2009. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Notes From Underground". In this album, this song's track order is #1. Based on our statistics, #1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With #1 by 1997 having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Me Everything | Just Surrender | C Minor | 10 | 5A | 186 BPM | ||
| On Building | The Beautiful Mistake | G Major | 10 | 9B | 174 BPM | ||
| The Roads You Can Take | 1997 | C Major | 9 | 8B | 158 BPM | ||
| For Members Only | Northstar | C Major | 9 | 8B | 149 BPM | ||
| Crawl | Two Tongues | E Major | 8 | 12B | 122 BPM | ||
| You Can't Stop | Spitalfield | E♭ Major | 9 | 5B | 180 BPM | ||
| It's Too Late | The Audition | A♭ Minor | 6 | 1A | 95 BPM | ||
| Shhhhhh! I'm Listening To Reason | Gatsbys American Dream | A Minor | 7 | 8A | 160 BPM | ||
| Conversations With Emily | Park | D♭ Minor | 4 | 12A | 130 BPM | ||
| They Looked Like Strong Hands | Bayside | D Major | 5 | 10B | 172 BPM | ||
| All These Things | Benton Falls | D♭ Minor | 9 | 12A | 160 BPM | ||
| The Reason I Stay | Time Spent Driving | G Minor | 6 | 6A | 116 BPM | ||
| Pomona For Empusa | Park | A♭ Minor | 9 | 1A | 146 BPM | ||
| The Process Tonight | Self Against City | E♭ Major | 9 | 5B | 155 BPM | ||
| Thing's Aren't So Beautiful Now (Part l) | A Thorn For Every Heart | B Minor | 9 | 10A | 100 BPM | ||
| IT AIN'T EASY | Eric B Turner, 1997 | D Minor | 8 | 7A | 93 BPM | ||
| The Runaway Romance | Sparks The Rescue | F Major | 9 | 7B | 88 BPM | ||
| Tennessee Song | 1997 | A Major | 7 | 11B | 117 BPM | ||
| A Year Spent Cold | Name Taken | D Major | 9 | 10B | 180 BPM | ||
| Caving | Reggie And The Full Effect | C Major | 9 | 8B | 117 BPM | ||
| Run In The Front | Dear and the Headlights | D♭ Major | 5 | 3B | 90 BPM | ||
| Don't Ever Tell Locke What He Can't Do | Moneen | A Major | 7 | 11B | 136 BPM | ||
| Turn | Albert React | D Major | 8 | 10B | 83 BPM | ||
| We Give Up Sometimes | Name Taken | D♭ Minor | 9 | 12A | 155 BPM | ||
| This Was All a Bad Idea | Zolof the Rock & Roll Destroyer | D Major | 8 | 10B | 97 BPM |