"Come To Nothing" by Evermore had its release date on September 27, 2004. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in Dreams by Evermore. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Come To Nothing is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come To Nothing by Evermore is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Without You | Silverchair | D♭ Major | 7 | 3B | 165 BPM | ||
| Get Us Home | The Panics | D Minor | 8 | 7A | 119 BPM | ||
| Memories & Dust | Josh Pyke | A Major | 3 | 11B | 141 BPM | ||
| Astral Boy | Killing Heidi | G Major | 2 | 9B | 101 BPM | ||
| Teenage Werewolf | Faker | E Major | 8 | 12B | 144 BPM | ||
| Bail Me Out | Pete Murray | A Major | 6 | 11B | 100 BPM | ||
| Sew My Name | Josh Pyke | A Major | 3 | 11B | 141 BPM | ||
| Divorcee by 23 | Clare Bowditch, the Feeding Set | C Major | 5 | 8B | 165 BPM | ||
| It's Too Late - Dirty South Mix | The Dirty South, Evermore | F♯ Minor | 9 | 11A | 128 BPM | ||
| All My Crushes | Magic Dirt | C Major | 8 | 8B | 171 BPM | ||
| The Cold Acre | Augie March | B Minor | 7 | 10A | 132 BPM | ||
| What You're On | Rogue Traders | B♭ Major | 6 | 6B | 129 BPM | ||
| Apple Candy | Ben Lee | A Major | 4 | 11B | 141 BPM | ||
| Coming Home | Alex Lloyd | E Major | 9 | 12B | 104 BPM | ||
| Stranger Strange | Augie March | A Major | 6 | 11B | 184 BPM | ||
| Streetlight | The Getaway Plan | A Minor | 9 | 8A | 170 BPM | ||
| Strange Days | George | A Major | 5 | 11B | 82 BPM | ||
| Buddha Baby | Leonardo's Bride | D Minor | 0 | 7A | 144 BPM | ||
| Fussy | End Of Fashion | G Major | 9 | 9B | 180 BPM | ||
| Don't Fight It - Radio Edit | The Panics | E Major | 5 | 12B | 89 BPM | ||
| Saturation | The Superjesus | C Minor | 9 | 5A | 137 BPM | ||
| Bird In A Basement | Paul Dempsey | C Major | 8 | 8B | 142 BPM | ||
| New Technology | Waikiki | D♭ Major | 5 | 3B | 88 BPM | ||
| When The Lights Went Down | Clare Bowditch | E Minor | 7 | 9A | 142 BPM | ||
| If You Keep Losing Sleep | Silverchair | F♯ Minor | 9 | 11A | 131 BPM |