Tracy Lawrence's 'Getting Back Up' had a release date set for 2001. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Tracy Lawrence". In this album, this song's track order is #4. In terms of popularity, Getting Back Up is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Getting Back Up by Tracy Lawrence having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Language of Air | BANDA PLIG MUSIC | B♭ Major | 3 | 6B | 73 BPM | ||
| Empty Chair | Boone Ashford | A Major | 5 | 11B | 73 BPM | ||
| Whenever You Come Back To Me | David Ball | A Minor | 9 | 8A | 178 BPM | ||
| Angel Of Broken Hearts | Jason Michael Carroll | G Minor | 9 | 6A | 122 BPM | ||
| Moon Over Georgia | Shenandoah | A Major | 5 | 11B | 90 BPM | ||
| Everything's Changed | Lonestar | F Major | 6 | 7B | 104 BPM | ||
| My Kind Of Woman/My Kind Of Man | Vince Gill, Patty Loveless | A♭ Major | 4 | 4B | 86 BPM | ||
| Fighting Fire With Fire | Davis Daniel | F Major | 5 | 7B | 154 BPM | ||
| Like There Ain't No Yesterday | BlackHawk | E Major | 6 | 12B | 114 BPM | ||
| If You Could Only See Me Now | T. Graham Brown | A♭ Major | 3 | 4B | 78 BPM | ||
| Every Step Of The Way | McBride & The Ride | E Major | 5 | 12B | 121 BPM | ||
| Froze Over | Tracy Lawrence | F Major | 4 | 7B | 96 BPM | ||
| Jesus and Mama - Remastered Version | Confederate Railroad | B Major | 6 | 1B | 137 BPM | ||
| Everytime I Cry | Terri Clark | E♭ Major | 7 | 5B | 116 BPM | ||
| Hurt Me Bad (In A Real Good Way) | Patty Loveless | D Major | 5 | 10B | 133 BPM | ||
| The Tin Man | Kenny Chesney | E Major | 2 | 12B | 147 BPM | ||
| I Know That Hurt by Heart | Tracy Lawrence | A Major | 4 | 11B | 111 BPM | ||
| Love You With The Lights On | Daryle Singletary | F♯ Major | 6 | 2B | 80 BPM | ||
| All The Good Ones Are Gone | Pam Tillis | B♭ Major | 4 | 6B | 128 BPM | ||
| Forgotten, But Not Gone | Gary Allan | D Major | 6 | 10B | 79 BPM | ||
| I Would Have Loved You All Night Long | Doug Supernaw | F Major | 4 | 7B | 106 BPM | ||
| I Love The Way He Left You | Earl Thomas Conley | G Major | 4 | 9B | 98 BPM | ||
| Somewhere Inside | Chris Cummings | C Major | 4 | 8B | 146 BPM | ||
| I Never Knew Love | Doug Stone | F♯ Major | 3 | 2B | 135 BPM | ||
| Maybe We Should Just Sleep On It | Tim McGraw | G Major | 8 | 9B | 115 BPM |