Blue October's ' "Libby I'm Listening" was released on its scheduled release date, January 1, 2000. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 14 in Consent to Treatment by Blue October. In terms of popularity, Libby I'm Listening is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Libby I'm Listening by Blue October is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Key Entity Extraction II: Holly Wood The Cracked | Coheed and Cambria | D Major | 9 | 10B | 178 BPM | ||
| Running | Harvard of the South | F Minor | 9 | 4A | 105 BPM | ||
| Raining In Baltimore | Counting Crows | F Major | 1 | 7B | 86 BPM | ||
| Overwhelming | Everclear | F♯ Major | 8 | 2B | 93 BPM | ||
| Stalker | Badflower | F Major | 9 | 7B | 175 BPM | ||
| Josephine | The Wallflowers | A Major | 5 | 11B | 114 BPM | ||
| Red Water | Rehab | E Major | 5 | 12B | 143 BPM | ||
| Mourning | Tantric | D♭ Major | 9 | 3B | 149 BPM | ||
| Sound Of Pulling Heaven Down | Blue October | C Major | 8 | 8B | 96 BPM | ||
| Bliss (I Don't Wanna Know) | Hinder | F Major | 9 | 7B | 75 BPM | ||
| Careful What You Wish For | Raine Maida | G Major | 9 | 9B | 128 BPM | ||
| Twilight | Thriving Ivory | D♭ Major | 8 | 3B | 128 BPM | ||
| Angel | Justin Furstenfeld | D Major | 2 | 10B | 92 BPM | ||
| It's Been A While Since I Was Your Man | Matthew Good | B Major | 8 | 1B | 142 BPM | ||
| Dead End | Middle Class Rut | D♭ Major | 10 | 3B | 78 BPM | ||
| Key Entity Extraction IV: Evagria The Faithful | Coheed and Cambria | D♭ Minor | 9 | 12A | 113 BPM | ||
| Down in a Rabbit Hole | Bright Eyes | A Minor | 9 | 8A | 132 BPM | ||
| Night-Time Walkers | Coheed and Cambria | E Major | 7 | 12B | 137 BPM | ||
| Chameleon Boy | Justin Furstenfeld | G Major | 2 | 9B | 184 BPM | ||
| Blue Collar Suicide | The Refreshments | A Major | 8 | 11B | 112 BPM | ||
| Here to Mars | Coheed and Cambria | F Major | 10 | 7B | 158 BPM | ||
| Mutiny Below | Ludo | D♭ Major | 10 | 3B | 156 BPM | ||
| Still In Love | NOTHING MORE | F Major | 8 | 7B | 148 BPM | ||
| It Was Mine | AFI | D♭ Major | 8 | 3B | 154 BPM | ||
| Cup of Tea | The Verve Pipe | A Major | 9 | 11B | 99 BPM |