On January 1, 2002, the song "Vinayak Ranat Bhawar Su Awiya" was released by Seema Mishra. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Seema Mishra's "Hathleva, Vol. 3" album is number 1 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Vinayak Ranat Bhawar Su Awiya's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Vinayak Ranat Bhawar Su Awiya by Seema Mishra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swapn Padal Ambabai Kal | Sajan Bendre | D♭ Major | 10 | 3B | 120 BPM | ||
| Laal-Peeli Aankhiyan - Live | Rajasthan, Manganyar Artists | F Major | 7 | 7B | 111 BPM | ||
| Mane Mavtar Made Toh Mari Amba Madjo | Falguni Pathak | E Major | 8 | 12B | 181 BPM | ||
| Mara Raai Banna Ri Jaan | Suresh Pareek | D♭ Major | 10 | 3B | 170 BPM | ||
| Ghani Khamma 2 | Anchal Bhatt, SP Jodha, Shyamli Thakur | A Minor | 6 | 8A | 84 BPM | ||
| Banro | Langas And Manganiars | G Major | 7 | 9B | 136 BPM | ||
| GORI RA NAIN | Dinesh Devasi | D♭ Major | 9 | 3B | 180 BPM | ||
| Mari Gori Kyun Sharmaye | Salim Shekhawas, Shilpa Bidawat | D♭ Major | 7 | 3B | 107 BPM | ||
| Mangiyo Chaliyo Theka Su | Ramratan Swami | F Minor | 9 | 4A | 130 BPM | ||
| Pehle Jaisa Prem Hamesha Nahi Reve Re | Sunita Swami | F Minor | 9 | 4A | 85 BPM | ||
| Bindani | Sarwar Khan, Sartaz Khan, Anchal Bhatt | E♭ Major | 7 | 5B | 144 BPM | ||
| Jija Paan Khilado | Habib Khan | F Minor | 10 | 4A | 102 BPM | ||
| ओ जी रे दीवाना | Gautam Giri, Chandan Giri | D♭ Major | 9 | 3B | 170 BPM | ||
| Gheri Gheri Birkha Bhaya | Prakash Mali, Mahendra Singh, Daksha Prajapati | B♭ Minor | 9 | 3A | 94 BPM | ||
| Ghadlo Tham Le Devariya | Seema Mishra | C Minor | 8 | 5A | 132 BPM | ||
| Thansu Sajna Preet Lagi | Prakash Gandhi, Simran Kaur | B Minor | 9 | 10A | 107 BPM | ||
| Hichki | Kapil Jangir, Anupriya Lakhawat | C Minor | 6 | 5A | 152 BPM | ||
| Kesariya Banna | Kohinoor Langa | F Major | 8 | 7B | 113 BPM | ||
| Boli Pyari Lage | Kheta Khan, Kailash Jangid | E Major | 8 | 12B | 100 BPM | ||
| Naina Ra Lobhi | Rapperiya Baalam, Anupriya Lakhawat | F♯ Minor | 10 | 11A | 100 BPM | ||
| Beera O Bhariyo Motida Ro Thal | Gajendra Ajmera, Twinkle Vaishnav | A Major | 10 | 11B | 111 BPM | ||
| O Banna Mharo Kesariyo | Twinkle Vaishnav | F Major | 10 | 7B | 115 BPM | ||
| Nadiya Ro Neer Sawra | Chotu Singh Rawna | B♭ Major | 8 | 6B | 75 BPM | ||
| Vanichya Gadavar Kon G Ubhi | Dhiraj Chaudhari | A♭ Major | 8 | 4B | 168 BPM | ||
| Thare Nena Ro Tamkaro | Bhanwar Ali | F♯ Minor | 9 | 11A | 125 BPM |