C.P.E バッハ, 池田昭子(オーボエ)'s ' "無伴奏ソナタ ト短調 (原曲:イ短調) Wq. 132 III. Allegro" was released on its scheduled release date, October 25, 2017. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There is only one song in パルティータ 〜無伴奏オーボエ作品集〜, so we believe that "無伴奏ソナタ ト短調 (原曲:イ短調) Wq. 132 III. Allegro" is a single. In terms of popularity, 無伴奏ソナタ ト短調 (原曲:イ短調) Wq. 132 III. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 無伴奏ソナタ ト短調 (原曲:イ短調) Wq. 132 III. Allegro by C.P.E バッハ, 池田昭子(オーボエ) is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Sonata a tre, Op. 22 (Passacaglio in G minor): Introduzione - Parte I - Parte II - Parte III - Finale | Biagio Marini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 0 | 11A | 159 BPM | ||
| The Secund Tuning: II. Coranto | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | D Major | 3 | 10B | 71 BPM | ||
| Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM | ||
| Fantasía Chalumeau | Gabriel Andrés Gallegos | B♭ Major | 0 | 6B | 80 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| 3つの小さな二重奏 Duetto Ⅱ - Poco Adagio | C.P.E バッハ, 中野振一郎(チェンバロ), 高田泰治(フォルテピアノ) | D Major | 3 | 10B | 71 BPM | ||
| Violin Sonata, Op. 5, No. 9: Allegro | Jean Baptiste Senaillé, Tianwa Yang, Markus Hadulla | F Major | 1 | 7B | 97 BPM | ||
| Mavra, K39: Chanson russe (Arr. Knigge for Recorder & Ensemble) | Lucie Horsch, LUDWIG Orchestra, Igor Stravinsky | A Minor | 4 | 8A | 121 BPM | ||
| Concerto for Two Horns in F Major, RV 538: I. Allegro | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Alexandre Zanetta, Félix Polet | D Major | 3 | 10B | 71 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | D Major | 3 | 10B | 71 BPM | ||
| Golden Hour | Chandler West | D Major | 3 | 10B | 71 BPM | ||
| 無伴奏ソナタ ニ短調 Wq.132 II.Allegro | C.P.E バッハ, 岡崎 耕治 | A Minor | 1 | 8A | 91 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | B♭ Major | 1 | 6B | 67 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau, Thomas Dunford | B Minor | 1 | 10A | 83 BPM | ||
| Adagio | Mikis Theodorakis, Kathrin Christians, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | F Minor | 1 | 4A | 69 BPM | ||
| Double Concerto in D Minor, BWV 1060: III. Allegro - Arr. for Trumpet | Johann Sebastian Bach, Matthias Höfs, Sarah Christian, Deutsche Kammerphilharmonie Bremen | D Minor | 3 | 7A | 105 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| 無伴奏フルート・ソナタ イ短調 Wq.132 Ⅲ.Allegro | C.P.E バッハ, 渡邊玲奈(フルート) | C Major | 1 | 8B | 110 BPM | ||
| Suite in G Major: VI. Sarabande | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | D Major | 3 | 10B | 71 BPM |