Come to Me
65daysofstatic, Robert Smith
We Were Exploding Anyway
8:00 April 26, 2010
BPM
157
Key
C Major
Camelot
8B

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Come to Me by 65daysofstatic, Robert Smith Song Details

"Come to Me" by 65daysofstatic, Robert Smith had its release date on April 26, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of We Were Exploding Anyway by 65daysofstatic. The song's track number on the album is #6 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Come to Me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Come to Me by 65daysofstatic, Robert Smith has a tempo of 157 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Come to Me being at 157 BPM, the half-time would be 78 BPM with a double-time of 314 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.951 dB
Acousticness
0%
Danceability
32%
Energy
76%
Instrumentalness
76%
Liveness
4%
Loudness
85%
Speechiness
5%
Valence
4%

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ISRC
GBJSG1009506
Label
L-M Records/RCA Records