"Interlude" by ABBOTT, Canea Quartett had its release date on December 2, 2022. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Interlude and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. In terms of popularity, Interlude is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Interlude by ABBOTT, Canea Quartett to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Voice Of The Voiceless | ABBOTT, 2WEI | F♯ Minor | 3 | 11A | 110 BPM | ||
| Fragile | Matteo de Grandis | G Minor | 1 | 6A | 146 BPM | ||
| Komorebi | BPMoore | A Major | 2 | 11B | 140 BPM | ||
| From All Who Came Before | BPMoore | E♭ Minor | 1 | 2A | 70 BPM | ||
| Unridden Way | Steyl | D Minor | 1 | 7A | 86 BPM | ||
| Under the Stars | Javi Lobe, Francois Mathian | C Major | 1 | 8B | 143 BPM | ||
| Procyon | Sebastian Zawadzki | F♯ Minor | 3 | 11A | 79 BPM | ||
| Waiting at the Airport | Rhian Sheehan | F Major | 2 | 7B | 67 BPM | ||
| Illumination | Dmitry Evgrafov | E Major | 0 | 12B | 76 BPM | ||
| Leap of Faith (Eventide) | Adrian Disch | D Major | 1 | 10B | 110 BPM | ||
| Dream Jobs | Neighborhood Libraries | C Major | 2 | 8B | 160 BPM | ||
| The Garden | Doug Kaufman | F♯ Major | 2 | 2B | 80 BPM | ||
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| Cotton Spheres | Lama House | C Major | 4 | 8B | 113 BPM | ||
| Fantasía | Gabríel Ólafs, Steiney Sigurðardóttir | D♭ Major | 1 | 3B | 98 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Sweet Solitude | John Hayes | F♯ Minor | 0 | 11A | 170 BPM | ||
| King's Cross, After Dark | Pêtr Aleksänder, Ian Burdge, Bruce White, Oli Langford, Tom Pigott-Smith | C Major | 1 | 8B | 138 BPM | ||
| Infinite Sonata | Jordan Critz | C Major | 2 | 8B | 195 BPM | ||
| Racing To Belong (Re-imagined) | Frances Shelley, Cedric Vermue | B♭ Minor | 6 | 3A | 110 BPM | ||
| 'Till We Meet Again | Silver Maple | D Major | 0 | 10B | 107 BPM | ||
| My fellow creatures | Carlos Cipa | E Minor | 0 | 9A | 104 BPM | ||
| Unearthed | Philip Daniel, Shawn Williams | F Major | 3 | 7B | 131 BPM | ||
| The Dark Side of the Moon | Pieter de Graaf | E♭ Major | 1 | 5B | 56 BPM | ||
| Father | Foli | A Major | 1 | 11B | 140 BPM |