The Many Moons's ' "Blue House" was released on its scheduled release date, January 10, 1996. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 6 in Django Blue by The Many Moons. In terms of popularity, Blue House is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Blue House by The Many Moons is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Stay With What Remains | Medieval Confessions | G Major | 3 | 9B | 123 BPM | ||
| Norwegian Wood | Tyron Benoit | A♭ Major | 4 | 4B | 170 BPM | ||
| Think Of Me | Scott Lucille | C Major | 1 | 8B | 145 BPM | ||
| Corona Corona | Jon-Olov Woxlin | G Major | 3 | 9B | 125 BPM | ||
| Downside of Town - Live | Willy DeVille | D Major | 3 | 10B | 123 BPM | ||
| A Story with Meaning | Seasick Dolphins | E Minor | 3 | 9A | 100 BPM | ||
| Fragments | Hilary Cousins | E Minor | 5 | 9A | 98 BPM | ||
| Feather Crowns | The Many Moons | A Minor | 5 | 8A | 92 BPM | ||
| Walkaway | Mad/No/Mad | A♭ Major | 2 | 4B | 144 BPM | ||
| Disarmed | Mono Meadow | F Major | 2 | 7B | 106 BPM | ||
| The Monster Within Me, Pt. 1 | Vintage Lapointe | A Major | 4 | 11B | 109 BPM | ||
| Memory Lane | Copperstone | C Major | 4 | 8B | 170 BPM | ||
| Our Country Died Today | Mark Lee Wilkins | E Minor | 5 | 9A | 162 BPM | ||
| Failure No Option | Anton Paul | E Major | 4 | 12B | 69 BPM | ||
| Fade Out | The Many Moons | D Major | 3 | 10B | 100 BPM | ||
| WRINKLES AND SCARS | Tom Davis | E Major | 5 | 12B | 142 BPM | ||
| My Love for You Is Real | Duke Saturday | B♭ Major | 5 | 6B | 96 BPM | ||
| Lone Pine | Dave Teichroeb | A Minor | 8 | 8A | 87 BPM | ||
| My Drunk Ass | Easy Mark | C Major | 6 | 8B | 132 BPM | ||
| Do You Really | The Many Moons | D Major | 3 | 10B | 120 BPM | ||
| Angelina Girl | Steve Moore Oldster | A Minor | 7 | 8A | 93 BPM | ||
| How Did It Come to This? | Jon-Olov Woxlin | C Major | 4 | 8B | 111 BPM | ||
| Back Over Me | Gregory Boivin | E Major | 3 | 12B | 104 BPM | ||
| It's Gone Like This | Marco Manara | G Major | 5 | 9B | 132 BPM | ||
| El Condor Pasa | Dale Sutton | E Major | 2 | 12B | 83 BPM |