"トッカータとフーガ ニ短調 BWV.565(J.S.バッハ)" by Johann Sebastian Bach, アマデウス・ウェーバージンケ had its release date on July 2, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ザ・クラシック 70, so we believe that "トッカータとフーガ ニ短調 BWV.565(J.S.バッハ)" is a single. トッカータとフーガ ニ短調 BWV.565(J.S.バッハ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of トッカータとフーガ ニ短調 BWV.565(J.S.バッハ) by Johann Sebastian Bach, アマデウス・ウェーバージンケ is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| パリは燃えているか - オルガン・ヴァージョン | Takashi Kako | F Minor | 3 | 4A | 76 BPM | ||
| シシリエンヌ | Gabriel Fauré, セルジュ・ボド, Czech Philharmonic Chamber Orchestra | G Minor | 1 | 6A | 97 BPM | ||
| 春の歌 | Felix Mendelssohn, ジョン・オコーナー | A Major | 0 | 11B | 128 BPM | ||
| プリンク・プレンク・プランク! | Leroy Anderson, Sir Charles Groves, フィルハーモニア管弦楽団 | G Major | 1 | 9B | 169 BPM | ||
| クライスレリアーナ 作品16-7 | NAIX | C Minor | 3 | 5A | 167 BPM | ||
| ピアノ協奏曲第2番ハ短調 作品18 I. Moderato | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, RAI National Symphony Orchestra | D♭ Major | 0 | 3B | 102 BPM | ||
| 皇帝円舞曲(J.シュトラウス2世) | Johann Strauss II, Erich Binder, ウィーン交響楽団 | C Major | 0 | 8B | 100 BPM | ||
| 幻想即興曲 (ショパン) | Kentaro Haneda | D♭ Major | 1 | 3B | 71 BPM | ||
| Suite "The Planets" Op.32: 5. Saturn - The Bringer of Old Age | Gustav Holst, Djong Victorin Yu, Philharmonia Orchestra | G Major | 2 | 9B | 144 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
| Suita Lutniowa in A Minor, BWV 997: Gigue | nieznany, Johann Sebastian Bach, Bianka Szalaty | E Minor | 1 | 9A | 190 BPM | ||
| Humoresque, Op. 101 | Hans Kalafusz, Klaus von Wildemann | G Major | 1 | 9B | 65 BPM | ||
| エリーゼのために | Ludwig van Beethoven, Fujiko Hemming | A Minor | 0 | 8A | 65 BPM | ||
| パガニーニの主題による狂詩曲 作品43: 第18変奏 | Sergei Rachmaninoff, Fujiko Hemming, Super World Orchestra, Alastair Willis | D♭ Major | 1 | 3B | 91 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Takako Nishizaki, Jenő Jandó | E Major | 2 | 12B | 89 BPM | ||
| ユモレスク | Antonín Dvořák, 黒沼ユリ子, アルフレード・ホレチェク | F♯ Major | 1 | 2B | 80 BPM | ||
| Mystic Antique - ピアノ版 | Yo Tsuji | G Minor | 2 | 6A | 120 BPM | ||
| メヌエット | Luigi Boccherini, Christian Ferras, 岩崎淑 | A Major | 1 | 11B | 110 BPM | ||
| テーマ・オブ・半沢直樹 ~Main Title~ | Takayuki Hattori | D Major | 8 | 10B | 119 BPM | ||
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第3楽章 アレグレット・グラツィオーソ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 0 | 9B | 135 BPM | ||
| 美しく青きドナウ | Johann Strauss II, Erich Binder, ウィーン交響楽団 | D Major | 1 | 10B | 92 BPM | ||
| サラバンド | George Frideric Handel, 伊藤悠貴 | G Major | 1 | 9B | 88 BPM | ||
| 交響曲 第5番 ハ短調 作品67 《運命》: 交響曲 第5番 ハ短調 作品67 《運命》: 第1楽章: Allegro con brio - 2016年 水戸芸術館、コンサートホール・ライヴ | Ludwig van Beethoven, Seiji Ozawa, 水戸室内管弦楽団 | E♭ Major | 1 | 5B | 81 BPM | ||
| どうする家康 メインテーマ~暁の空~ | 稲本響 | E♭ Major | 5 | 5B | 136 BPM | ||
| サン=サーンス: 歌劇「サムソンとデリラ」より “バッカナール” | Camille Saint-Saëns, Jean Fournet, Tokyo Metropolitan Symphony Orchestra | C Major | 1 | 8B | 77 BPM |