"Playing Robots Into Heaven" by James Blake had its release date on September 8, 2023. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Playing Robots Into Heaven". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Playing Robots Into Heaven is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Playing Robots Into Heaven by James Blake having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Natural Spirit | Tiga, Hudson Mohawke | G Major | 8 | 9B | 112 BPM | ||
| In Bloom | Tony Njoku | E♭ Minor | 3 | 2A | 52 BPM | ||
| Marigolds & Tulsi | Rachika Nayar | E♭ Major | 3 | 5B | 83 BPM | ||
| Process | Nosaj Thing | B Major | 3 | 1B | 145 BPM | ||
| Melbu | Beirut | F Major | 6 | 7B | 122 BPM | ||
| Bending Glass | Ryan Lott | A Minor | 0 | 8A | 91 BPM | ||
| 7th Soundscape | James Blake, Endel | C Major | 0 | 8B | 75 BPM | ||
| Atmospheric Lightness 1 | Brian Eno | G Major | 1 | 9B | 134 BPM | ||
| Two Chambers | Loscil | F Minor | 1 | 4A | 70 BPM | ||
| Monotony II | Tim Hecker, Colin Stetson | F Minor | 3 | 4A | 188 BPM | ||
| Be without being seen - Movement I | Colleen | B Minor | 1 | 10A | 72 BPM | ||
| Tunnels of Egypt (Previously Unreleased New Blue Sun Track) | André 3000 | D Major | 1 | 10B | 114 BPM | ||
| Purify | Disclosure | B Minor | 8 | 10A | 135 BPM | ||
| Big Hammer - Pt. 4 / Endel Focus Soundscape | James Blake | D♭ Major | 2 | 3B | 125 BPM | ||
| Boreal Kiss Pt. 1 | Tim Hecker | F Minor | 0 | 4A | 135 BPM | ||
| Winded | 7038634357 | B♭ Major | 0 | 6B | 107 BPM | ||
| Top Boy Theme | Brian Eno | A Minor | 2 | 8A | 78 BPM | ||
| Antidawn | Burial | F Major | 3 | 7B | 86 BPM | ||
| Radio | Fred again.., Brian Eno | C Major | 0 | 8B | 72 BPM | ||
| 13th Soundscape | James Blake, Endel | C Major | 0 | 8B | 75 BPM | ||
| If You Can Hear Me | James Blake | A Major | 1 | 11B | 83 BPM | ||
| Ouverture | Maxime Denuc | B Major | 3 | 1B | 129 BPM | ||
| Log In Your Fire | Kaitlyn Aurelia Smith, Emile Mosseri | C Minor | 5 | 5A | 180 BPM | ||
| Movement 7 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 3 | 5A | 77 BPM | ||
| Myuthafoo | Caterina Barbieri | A Minor | 1 | 8A | 75 BPM |