John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia's ' "II. Ostinato" was released on its scheduled release date, September 30, 2005. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Rutter: Fancies". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, II. Ostinato's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With II. Ostinato by John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | ||
| Reinecke: Flute Concerto in D Major, Op. 283: II. Lento e mesto | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | B Minor | 1 | 10A | 93 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
| Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Cinq nuances in B Minor: III. Idyllico | Marc Berthomieu, Dejan Gavric, Silke Aichhorn | B♭ Major | 0 | 6B | 80 BPM | ||
| Neruda: Trumpet Concerto In E Flat - Iilargo | Johann Baptist Georg Neruda, Tine Thing Helseth | E♭ Major | 1 | 5B | 66 BPM | ||
| Reinecke: Flute Concerto in D Major, Op. 283: III. Moderato - Più mosso | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
| Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Wales Camerata, Owain Arwel Hughes | E Minor | 0 | 9A | 76 BPM | ||
| A Gaelic Blessing | John Rutter, Wayne Marshall | A Major | 0 | 11B | 91 BPM | ||
| Camille Saint-Saens -The Swan | Camille Saint-Saëns, Laurel Zucker and Sara Cutler | C Major | 1 | 8B | 70 BPM | ||
| Devienne: Flute Concerto No. 7 in E Minor: I. Allegro | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | E Minor | 1 | 9A | 133 BPM | ||
| A Downland Suite: III. Minuet. Allegretto grazioso (Version for String Orchestra) | John Ireland, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Le Tombeau de Couperin, M. 68: III. Forlane (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | B Minor | 1 | 10A | 72 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | A Major | 0 | 11B | 168 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Prelude: Quasi Adagio | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 1 | 9B | 83 BPM | ||
| Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
| Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM |