Taylor Mac & Matt Ray, Ken Ard, El Beh, Ryan Chittaphong, Kat Edmonson, Queen Esther, Synead Cidney Nichols, Wes Olivier, Trebien Pollard, Greg Glassman, Joel E. Mateo's ' "The Ephemerals Part I: Big Talk" was released on its scheduled release date, November 3, 2025. At 6 minutes and 43 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. There are a total of 28 in the song's album "The Hang (Original Cast Recording)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, The Ephemerals Part I: Big Talk is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Ephemerals Part I: Big Talk by Taylor Mac & Matt Ray, Ken Ard, El Beh, Ryan Chittaphong, Kat Edmonson, Queen Esther, Synead Cidney Nichols, Wes Olivier, Trebien Pollard, Greg Glassman, Joel E. Mateo having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peace (Gnossienne No. 2) | Tessa Souter | F♯ Minor | 2 | 11A | 150 BPM | ||
| I Feel the Earth Move - Big Band Version | Aubrey Logan | F Minor | 5 | 4A | 129 BPM | ||
| ‘S Wonderful | Juliet Ewing | G Minor | 3 | 6A | 91 BPM | ||
| Linger For A While With The Sun | Olivia Cuttill | D♭ Major | 1 | 3B | 125 BPM | ||
| Gimme That Milk | Melinda Sullivan, Larry Goldings, Billy Valentine, Gaby Moreno, Broadway Barbara, Marcella Lentz-Pope | B Major | 6 | 1B | 155 BPM | ||
| Broken Hotel Room | Liv Monaghan | F Minor | 2 | 4A | 115 BPM | ||
| A Foggy Day | Juliet Ewing | B♭ Minor | 1 | 3A | 85 BPM | ||
| Moulin Rouge | Marisa Balistreri | F♯ Minor | 9 | 11A | 78 BPM | ||
| What | Maria Gilbert | D♭ Major | 3 | 3B | 75 BPM | ||
| Keep On Churnin' - Deluxe Bonus | Judith Owen | C Major | 2 | 8B | 127 BPM | ||
| Blues and the Bebop | The Lost American JazzBook | F Minor | 6 | 4A | 103 BPM | ||
| I Love Paris | Sachal Vasandani, Taylor Eigsti, Eric Harland, Reuben Rogers | C Major | 1 | 8B | 81 BPM | ||
| Hope I Won't Love You Anyways | Lulu Leloup | D♭ Major | 3 | 3B | 104 BPM | ||
| Come Rain Or Come Shine | Christian McBride, Antoinette Henry | A♭ Major | 4 | 4B | 119 BPM | ||
| He's A Real Gone Guy | Judith Owen | A♭ Major | 4 | 4B | 91 BPM | ||
| How Lovely to Be a Woman | Veronica Swift | D♭ Major | 3 | 3B | 133 BPM | ||
| Soon | Georgia Cécile, Fraser Urquhart | D♭ Major | 1 | 3B | 68 BPM | ||
| Indian Summer | Daniel McBrearty, Lucie De Ley | D Minor | 3 | 7A | 89 BPM | ||
| Shallow | The Puppini Sisters, The Pasadena Roof Orchestra | F Minor | 3 | 4A | 84 BPM | ||
| Couldn't We Have Known | Christina Galisatus | F Major | 1 | 7B | 96 BPM | ||
| All night long | Silvia Donati, Massimo Tagliata | A♭ Major | 6 | 4B | 121 BPM | ||
| Fly Like An Eagle | Deborah Silver, Count Basie Orchestra, Bill Frisell | D♭ Major | 4 | 3B | 126 BPM | ||
| Uncle Wentsworth's Belvedere Stouts | Jim Bonney, Jonathan Stout Orchestra, Kory Leigh | F Minor | 3 | 4A | 123 BPM | ||
| Scolding Old Codger | Taylor Mac & Matt Ray, Kat Edmonson | F♯ Minor | 2 | 11A | 176 BPM | ||
| I See It In You | Monika Ryan | C Major | 3 | 8B | 104 BPM |