"Prelude - Allemande - Courante - Rocantins: 4 Pieces for Lute: I. Prelude. II. Allemande. III. Courante. IV. Rocantins" by Robert Ballard, Rolf LaFleur had its release date on December 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rolf LaFleur, Bengt Ericson's "Music for Viola Da Gamba And Lute" album is number 6 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Prelude - Allemande - Courante - Rocantins: 4 Pieces for Lute: I. Prelude. II. Allemande. III. Courante. IV. Rocantins is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude - Allemande - Courante - Rocantins: 4 Pieces for Lute: I. Prelude. II. Allemande. III. Courante. IV. Rocantins by Robert Ballard, Rolf LaFleur to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tedesca - Saltarello | Giorgio Mainerio, Ulsamer Collegium, Josef Ulsamer | E Minor | 1 | 9A | 85 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Nuls om en ren: melody only | Aimeric de Belenoi, Martin Best Mediaeval Ensemble | A Minor | 0 | 8A | 112 BPM | ||
| Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
| Galanterie Pièce | Silvius Leopold Weiss, Lutz Kirchhof | D Major | 1 | 10B | 100 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
| Tourdion | Pierre Attaingnant, Ensemble Buon tempo | C Major | 2 | 8B | 141 BPM | ||
| Aspire refus contre doulce priere | Jacopo da Bologna, Munir Beken, August Denhard | D♭ Major | 1 | 3B | 128 BPM | ||
| Premier livre de luth, Suite 7: IV. Bransles de village | Robert Ballard, Richard Kolb | E Major | 2 | 12B | 94 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Schiarazula Marazula (from ll primo libro de balli accomodati per cantar et sonar d'ogni sorte de instromenti) | Giorgio Mainerio, Dorothee Oberlinger | G Minor | 0 | 6A | 81 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | ||
| The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
| John Dowland: Orlando Sleepeth | Julian Bream | C Major | 0 | 8B | 134 BPM | ||
| Tablature de luth, Premier livre: Courante | Robert Ballard, Jacob Heringman | F♯ Minor | 1 | 11A | 75 BPM | ||
| Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
| Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 8, Ave Maria, O auctrix vite (Instrumental Version) | Hildegard von Bingen, Augsburg Early Music Ensemble | E Minor | 0 | 9A | 114 BPM | ||
| Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
| The English Dancing Master, Vol. 1: The English Dance Master, Pt. I: Kemps Jegg (Roland) | John Playford, Les Witches | D Minor | 2 | 7A | 107 BPM | ||
| Courrant der May der May | Anonymous, Joachim Held | B Major | 2 | 1B | 56 BPM | ||
| Isabella | Unicorn Ensemble | G Major | 1 | 9B | 114 BPM | ||
| John Dowland: Melancholy Galliard | Julian Bream | A♭ Major | 1 | 4B | 87 BPM |