Collin Nash's 'The Way We Used To' had a release date set for April 25, 2025. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Collin Nash's "Hello, I'm Collin Nash" album is number 5 out of 9. The Way We Used To is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Way We Used To by Collin Nash to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ole Used To Be | Jason James | A Major | 4 | 11B | 96 BPM | ||
| Blessing in Disguise | Dylan Earl | D Major | 5 | 10B | 114 BPM | ||
| One More Pair | Todd Day Wait | A♭ Major | 3 | 4B | 98 BPM | ||
| Outlaw Life | Jeremy Pinnell | A Major | 6 | 11B | 79 BPM | ||
| Somewhere Between Jerry And Jesus | Ian Cuthbertson | A Major | 5 | 11B | 87 BPM | ||
| Thanks To The Cathouse (I'm In The Doghouse With You) | Pug Johnson | D♭ Minor | 6 | 12A | 80 BPM | ||
| Wrong Side of Stupid | Robert Henry & the Repeaters | B♭ Major | 8 | 6B | 160 BPM | ||
| St. Claire's Retreat | Jesse Daniel | F♯ Major | 5 | 2B | 106 BPM | ||
| 16 Hours - Acoustic | Max Geers | B♭ Major | 5 | 6B | 88 BPM | ||
| Happy Sad | Ellis Bullard | A Major | 8 | 11B | 162 BPM | ||
| Honky Tonkitis | The Broken Spokes | E Major | 4 | 12B | 99 BPM | ||
| Rock Salt & Nails | Danno Simpson | G Major | 7 | 9B | 118 BPM | ||
| Daffodil | Avry Truex | E♭ Major | 3 | 5B | 104 BPM | ||
| Drunk Enough | Christopher Seymore | F Major | 5 | 7B | 140 BPM | ||
| High, Blue & Lonesome | Low Water Bridge Band | E♭ Minor | 7 | 2A | 151 BPM | ||
| Gambler | Nicholas Jamerson, The Morning Jays | E♭ Major | 3 | 5B | 147 BPM | ||
| Until We Meet Again | Kellen Smith | G Major | 6 | 9B | 144 BPM | ||
| Wild Rose of the Range | Wylie & The Wild West | G Major | 4 | 9B | 129 BPM | ||
| Loving Trust | CARLOS RENE SEW | B♭ Major | 5 | 6B | 88 BPM | ||
| 50 Dollars a Week | South Texas Tweek | B♭ Major | 6 | 6B | 76 BPM | ||
| Steppin’ Out (Feat. Jodi Lyford) | Jesse Daniel, Jodi Lyford | B Major | 7 | 1B | 120 BPM | ||
| Cabin on a Hill | Lance Roark | E Major | 5 | 12B | 131 BPM | ||
| Poncho | Pug Johnson and The Hounds | E Major | 6 | 12B | 144 BPM | ||
| The Highway Less Taken | Justin Wells | C Major | 7 | 8B | 94 BPM | ||
| Out On The Wire | Collin Nash | E Major | 6 | 12B | 145 BPM |