"Mourning for Armael" by Christophe Rezai had its release date on October 25, 2019. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Last Fiction (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mourning for Armael is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mourning for Armael by Christophe Rezai having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Biu Barimesh - Khuzestan | Rastak | D♭ Major | 5 | 3B | 135 BPM | ||
| Delkash Part II | Mohammad Reza Lotfi | D♭ Major | 0 | 3B | 81 BPM | ||
| Tasnif "Goftam Gham-e To Daram" | Mohammad Motamedi, Mohammad Reza Lotfi | B Major | 3 | 1B | 92 BPM | ||
| Kamancheh Narration | Hesam Inanlou | D♭ Major | 3 | 3B | 98 BPM | ||
| Sazo Avaz Homayoun Daramad (Ba rahrowane badiyeh ehram bastehim) | Banan, Javad Maroufi | B♭ Minor | 3 | 3A | 145 BPM | ||
| Rouzbeh | Christophe Rezai | D Major | 2 | 10B | 63 BPM | ||
| Chaharmezrabe Owj, Souzo Godaz | Dariush Tala'i | B Minor | 3 | 10A | 119 BPM | ||
| Ghame Kohne | Parvaz Homay, Arash Adelpoor | D Minor | 3 | 7A | 130 BPM | ||
| Doosh Doosh | Mahsa Vahdat, Marjan Vahdat | B Major | 0 | 1B | 72 BPM | ||
| Song with Dotar and Balaban | Sima Bina | D Major | 3 | 10B | 87 BPM | ||
| Where Are You? | Kayhan Kalhor, Ali Bahrami Fard | E♭ Minor | 5 | 2A | 131 BPM | ||
| Mordeh Bodam Zendeh Shodam | Alireza Eftekhari | C Major | 7 | 8B | 92 BPM | ||
| Ghasedak (Dandelion) | Mehdi Akhavan Sales, Majid Derakhshani | C Major | 1 | 8B | 95 BPM | ||
| Morghe bâghe malakout / Ya mounir | Ghalia Benali, Constantinople, Kiya Tabassian | D Major | 3 | 10B | 135 BPM | ||
| Khalvat | Siavash Kamkar, Hana Kamkar | A Minor | 5 | 8A | 102 BPM | ||
| Darāmad 2 | Vahid Tehrani Azad | D♭ Minor | 3 | 12A | 102 BPM | ||
| Cycle | Siavash Kamkar | C Minor | 3 | 5A | 97 BPM | ||
| Zarbi | Mohammad Reza Lotfi | B♭ Minor | 1 | 3A | 96 BPM | ||
| Dua - Prayer | Sedat Anar | F♯ Major | 6 | 2B | 126 BPM | ||
| What Happened (Az Miane Golha) | Nik Reich, Jaro Messerschmidt, Kia Shah Tangestani Poor | A Minor | 3 | 8A | 120 BPM | ||
| Ghesseye Ashena | Misagh | D Minor | 4 | 7A | 95 BPM | ||
| 2. Mvt. Migration - Live | Majid Entezami, Tehran Symphonic Orchestra | G Minor | 2 | 6A | 109 BPM | ||
| Sari Gelin | Harmitone | C Major | 2 | 8B | 132 BPM | ||
| Ay Sar Kotal | Minoo Javan | A Minor | 2 | 8A | 74 BPM | ||
| Leaves | Siavash Kamkar, Neyriz Kamkar, Morteza Momenian, Arash Khadem | F Minor | 5 | 4A | 170 BPM |