"勝負の刻" by John R Graham had its release date on January 30, 2026. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 勝負の刻's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 大河ドラマ「べらぼう〜蔦重栄華乃夢噺〜」オリジナル・サウンドトラック (完全盤), so we believe that "勝負の刻" is a single. Based on our statistics, 勝負の刻's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 勝負の刻 by John R Graham is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heroic Rescue | 斎木達彦 | G Major | 6 | 9B | 104 BPM | ||
| ザ・サードワールド | Takashi Kako | D Minor | 5 | 7A | 120 BPM | ||
| Buddha | Konfusia Clayman, Konfusi Clayton | D Major | 2 | 10B | 180 BPM | ||
| Arriving at the Island | Paul Leonard-Morgan | A♭ Major | 2 | 4B | 58 BPM | ||
| SPEC - symphonic - | ドラマ「SPEC」サントラ | F Major | 6 | 7B | 142 BPM | ||
| 新・出港! 真田丸 ~新たなる船出~ | Takayuki Hattori | A♭ Minor | 7 | 1A | 126 BPM | ||
| 別れのとき | John R Graham | F Major | 3 | 7B | 110 BPM | ||
| 邪悪の顕現 | 羽岡 佳 | D Major | 3 | 10B | 170 BPM | ||
| When Shadows Turn to Gold | Bheto VN | B♭ Major | 3 | 6B | 163 BPM | ||
| 西郷どん ORIGINAL COVER | NIYARI計画 | F Major | 5 | 7B | 78 BPM | ||
| The Beginning and the Future of Life | Takatsugu Muramatsu | D Major | 1 | 10B | 125 BPM | ||
| Amsterdam | Seyran Nasirov, Kansolong | B♭ Major | 3 | 6B | 100 BPM | ||
| メトロポリタン | PROJECT ACES, Bandai Namco Game Music | E♭ Major | 4 | 5B | 197 BPM | ||
| Tales on the Wind | Infinity Nikki, FoldEcho | E♭ Major | 4 | 5B | 197 BPM | ||
| マドモアゼル・モーツァルトのテーマ | Tetsuya Komuro | G Major | 2 | 9B | 100 BPM | ||
| Looking for Trouble | Anne Nikitin | E♭ Major | 4 | 5B | 197 BPM | ||
| Jadina s'ennuie - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | E♭ Major | 4 | 5B | 197 BPM | ||
| 師匠VS.弟子 | Kohei Tanaka | B Minor | 7 | 10A | 88 BPM | ||
| 禁断の契約 | Hiroaki Tsutsumi | F Major | 0 | 7B | 75 BPM | ||
| 六文銭 | Takayuki Hattori | C Major | 3 | 8B | 139 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM | ||
| Con i Cinque Sensi | Bulruk | C Minor | 3 | 5A | 110 BPM | ||
| Plakat | Koda Bark | E♭ Major | 1 | 5B | 87 BPM | ||
| 海軍大佐コビー | Kohei Tanaka | B Minor | 7 | 10A | 176 BPM | ||
| Aculo | Mandy Marshall, Mandy Obnorz | D♭ Minor | 4 | 12A | 170 BPM |